Metal frame, Windows and Thread
Initialed lower right CS.
Series: State of Being.
Chiharu Shiota’s State of Being (Windows) (2021) is a mesmerizing sculptural installation that embodies her signature exploration of memory, absence, and interconnectedness. Encased within a delicate yet intricate web of red thread, fragmented window frames appear suspended in time, evoking a ghostly presence of spaces once inhabited. The vibrant red threads create an ethereal enclosure, symbolizing both entrapment and connection, while the windows suggest portals to the past, lost narratives, or unseen possibilities. Shiota’s work often engages with themes of personal and collective history, using thread as a metaphor for human relationships and the invisible ties that bind us to places and experiences.
This unique piece, part of her State of Being series, continues her investigation into the fragility of existence and the traces we leave behind, transforming ordinary objects into evocative meditations on time and memory.
Chiharu Shiota (Japan, 1972) creates immersive installations using threads, often red or black, to weave haunting environments that explore memory, absence, and human connection. Trained in performance and visual art, she blends sculpture and conceptual art. Her large-scale thread works have been exhibited globally, including at the Venice Biennale.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Metal frame, Windows and Thread
Initialed lower right CS.
Series: State of Being.
Chiharu Shiota’s State of Being (Windows) (2021) is a mesmerizing sculptural installation that embodies her signature exploration of memory, absence, and interconnectedness. Encased within a delicate yet intricate web of red thread, fragmented window frames appear suspended in time, evoking a ghostly presence of spaces once inhabited. The vibrant red threads create an ethereal enclosure, symbolizing both entrapment and connection, while the windows suggest portals to the past, lost narratives, or unseen possibilities. Shiota’s work often engages with themes of personal and collective history, using thread as a metaphor for human relationships and the invisible ties that bind us to places and experiences.
This unique piece, part of her State of Being series, continues her investigation into the fragility of existence and the traces we leave behind, transforming ordinary objects into evocative meditations on time and memory.
Chiharu Shiota (Japan, 1972) creates immersive installations using threads, often red or black, to weave haunting environments that explore memory, absence, and human connection. Trained in performance and visual art, she blends sculpture and conceptual art. Her large-scale thread works have been exhibited globally, including at the Venice Biennale.
Chiharu Shiota (b. 1972 Japan) is a Berlin-based installation artist known for her immersive environments woven from thread, memory, and emotion. Trained in painting and performance, Shiota shifted toward large-scale installations that use red, black, or white yarn to trace invisible connections between people, objects, and inner states. Everyday items like keys, dresses, or empty beds often appear in her work, acting as vessels of human presence and absence. Themes of identity, transience, and the body’s relationship to space are central to her practice. Influenced by artists such as Marina Abramovicand her own experience living between cultures, Shiota creates poetic spaces that invite viewers into a shared contemplation of existence. Her work bridges sculpture, drawing, and performance, echoing both Japanese aesthetic traditions and Western conceptualism.
Feminist art refers to the art that emerged from the feminist art movement during the 1960s and 1970s. It developed with the intention of critiquing 20th-century gender ideals and challenging the traditional canon of art history. Feminist art seeks to create a dialogue between the artwork and the viewer through a feminist lens, often addressing issues of gender, identity, and social justic