A wall clock with a classic black-rimmed face and red second hand emerges from — or melts into — a stretched, dripping white form that pools and elongates across the surface like an eroded relic. Arsham builds the piece in plastic and quartz so the clock still keeps time. Falling Clock is one of his most recognisable object-sculptures, the eroded archaeology of pop iconography translated into a domestic-scale wonder. A confident, narrative-charged acquisition for collectors of Arsham's celebrated fictional archaeology — and a quietly poetic conversation with Dalí's persistence of memory.
Daniel Arsham (USA, 1980) is a multidisciplinary artist whose work blends sculpture, architecture, and performance to explore themes of time, decay, and nostalgia. Known for his 'fictional archaeology' approach, Arsham creates eroded objects like phones and cameras, reimagining them as artifacts. His innovative practice bridges contemporary art and design, captivating audiences worldwide.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
A wall clock with a classic black-rimmed face and red second hand emerges from — or melts into — a stretched, dripping white form that pools and elongates across the surface like an eroded relic. Arsham builds the piece in plastic and quartz so the clock still keeps time. Falling Clock is one of his most recognisable object-sculptures, the eroded archaeology of pop iconography translated into a domestic-scale wonder. A confident, narrative-charged acquisition for collectors of Arsham's celebrated fictional archaeology — and a quietly poetic conversation with Dalí's persistence of memory.
Daniel Arsham (USA, 1980) is a multidisciplinary artist whose work blends sculpture, architecture, and performance to explore themes of time, decay, and nostalgia. Known for his 'fictional archaeology' approach, Arsham creates eroded objects like phones and cameras, reimagining them as artifacts. His innovative practice bridges contemporary art and design, captivating audiences worldwide.
Art is a way to travel without leaving home.
- Daniel Arsham
Daniel Arsham, born in 1980 in Cleveland, Ohio, is a contemporary American artist widely recognized for his multidisciplinary approach to art. Trained at The Cooper Union in New York City, Arsham's work transcends traditional categorizations, blending architecture, performance, and sculpture. His art often explores the concept of time, manipulating materials like crystal, volcanic ash, and other geological elements to create pieces that appear both futuristic and archaic.
Arsham's signature style involves a surreal manipulation of everyday objects, leading viewers to question their perceptions of space and reality. He delves into themes such as decay, transformation, and the passage of time, aiming to evoke a sense of wonder and unsettle established norms. His work engages a broad audience, courtesy of its universal themes and emotionally charged narrative, making him a noteworthy figure in contemporary art.
Contemporary art refers to avant-garde or innovative art created in the recent past or present day. The exact starting point of contemporary art varies depending on the institution, often tied to the founding year of museums or galleries that showcase the style. Contemporary art is characterized by its focus on current ideas, diverse media, and the exploration of new concepts and techniques.