Painted and glazed ceramic multiple with rubber stopper.
- With the Artist's logo on the underside.
- From the edition of unknown size.
Grayson Perry’s Piggy Bank (2017) is a ceramic sculpture that merges traditional craft with contemporary social commentary. The piece, painted and glazed in blue and white, resembles a whimsical, stylized pig, complete with intricate decorative patterns. The body of the pig is adorned with words such as FEMALE, BLACK, URBAN, YOUNG, and HOPE, surrounded by geometric and botanical motifs that highlight Perry's interest in identity, politics, and societal labels. The rubber stopper at the bottom indicates its function as a piggy bank, transforming the sculpture into a utilitarian object. Perry’s distinctive logo is present on the underside, marking its authenticity. This work embodies his playful yet critical approach, using ceramics as a medium to engage with and provoke thought about contemporary social issues.
Grayson Perry (UK, 1960) is a celebrated contemporary artist and Turner Prize winner known for his provocative ceramics, tapestries, and multimedia works. Often exploring themes of identity, gender, and societal norms, Perry uses humor and craftsmanship to challenge perceptions. His alter ego, Claire, features prominently in his artistic narrative.
CeramicCeramic is a term used to describe objects made from clay or other inorganic materials. These objects can be either decorative or functional and have been created since at least 4,000 B.C. Ceramic art involves making, decorating, and firing these objects in a kiln, a special high-temperature oven.
Painted and glazed ceramic multiple with rubber stopper.
- With the Artist's logo on the underside.
- From the edition of unknown size.
Grayson Perry’s Piggy Bank (2017) is a ceramic sculpture that merges traditional craft with contemporary social commentary. The piece, painted and glazed in blue and white, resembles a whimsical, stylized pig, complete with intricate decorative patterns. The body of the pig is adorned with words such as FEMALE, BLACK, URBAN, YOUNG, and HOPE, surrounded by geometric and botanical motifs that highlight Perry's interest in identity, politics, and societal labels. The rubber stopper at the bottom indicates its function as a piggy bank, transforming the sculpture into a utilitarian object. Perry’s distinctive logo is present on the underside, marking its authenticity. This work embodies his playful yet critical approach, using ceramics as a medium to engage with and provoke thought about contemporary social issues.
Grayson Perry (UK, 1960) is a celebrated contemporary artist and Turner Prize winner known for his provocative ceramics, tapestries, and multimedia works. Often exploring themes of identity, gender, and societal norms, Perry uses humor and craftsmanship to challenge perceptions. His alter ego, Claire, features prominently in his artistic narrative.
Art is not some fun add-on to life.
- Grayson Perry
Renowned for his unorthodox expression, Grayson Perry is an artist whose most notable works include printed tapestries and ceramic vases that explore both historical and contemporary themes, as well as featuring autobiographical references to his own life, and that of his transvestite alter-ego, Claire. Among Perry’s most acclaimed works is Aspects of Myself, a ceramic vessel featuring several different figures, some altogether innocent, and others - such as a bound and gagged woman - more sinister; Perry has confirmed that these figures depict various different aspects of his own personality. In creating his ceramic works, Perry refers to the ceramic traditions of folk art and Greek pottery while using the traditional coiling method to create the final shape, he then fires in a kiln several times in order to transfer the image and finish with a lustre glaze.
Action Painting is a style of painting where the physical act of creating art—such as gestural brushstrokes, splashing or dripping paint, or moving and dancing while applying paint—is considered essential to the artwork itself. This approach emphasizes the artist's movement and spontaneity as integral to the creative process.