Albers, Josef | Variants II, from Ten Variants, 1966 — available on Composition Gallery

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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp)

Josef Albers' Variants II, from Ten Variants (1966) is a screenprint on Rives BFK paper, measuring 43.2 x 43.2 cm. This print showcases Albers' exploration of color relationships through geometric abstraction. The composition is structured with overlapping rectangular shapes in a harmonious palette of green, yellow, blue, and white. The translucent layers create an optical play, as the colors interact and form new shades where they intersect. Albers’ precise and calculated approach highlights his interest in how colors shift in perception based on their context. The work exemplifies his mastery in balancing form and hue to produce a sense of depth and dynamic movement within a minimalist framework.

Josef Albers (Germany/USA, 1888–1976) was a groundbreaking artist, designer, and educator central to the Bauhaus movement and modern art. Known for his Homage to the Square series, he explored color theory and perception. Albers’ teachings and writings, like Interaction of Color, have profoundly influenced contemporary art and design education.

Josef Albers

Variants II, from Ten Variants, 1966

Name: Variants II, from Ten Variants, 1966
SKU: 12200
Price: 5400.00 USD
Availability: InStock

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Screen-print

Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.

Edition

Edition of 200

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●Inventory 12200

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Limited Edition Print

Limited Edition Print

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Abstraction is real, probably more real than nature.
- Josef Albers

Often cited as one of the founders of minimalist and conceptual art, Josef Albers is widely acclaimed for his theoretical teachings on art and his interplay between shape and colour. Among his most recognised works, Homage to the Square is a series which spanned across the 50’s and the 60’s, and features a range of rigid, geometric productions applied to canvas, all of which were offset by whichever colour palette he had chosen to adopt – the combination of the geometry and colour creates various optical effects, for which Albers has become renowned. Albers has stated ‘abstraction is real, probably more real than nature’ - his work is an attempt to portray this philosophy, and he challenges the viewer to analyse their own perspective with each piece; Structural Constellations is perhaps is most celebrated work of this kind, a subtle piece composed of simple lines that combine to create illusory forms. (Artist website)

Artwork by John Baldessari

What is conceptual art?

Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.

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Josef Albers

Variants II, from Ten Variants, 1966

43.2 x 43.2 cm

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Josef Albers