Liu Bolin (China, 1973) is a contemporary artist celebrated for his 'Hiding in the City' series, where he camouflages himself into urban landscapes. His works, blending performance and photography, explore themes of identity, social invisibility, and the individual's role within modern society.
StatueMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Liu Bolin (China, 1973) is a contemporary artist celebrated for his 'Hiding in the City' series, where he camouflages himself into urban landscapes. His works, blending performance and photography, explore themes of identity, social invisibility, and the individual's role within modern society.
Each one chooses his or her path to come in contact with the external world. I chose to merge with the environment.
- Liu Bolin
A performance artist and photographer, Liu Bolin is renowned for his use of disguise and chameleon-like methods as a means of immersing himself within his environment; Bolin’s Hiding in the City series sees him camouflaged by paint in a silent protest against the Chinese government and the ostracisation he felt – such techniques as disguise and camouflage have earned him the nickname ‘The Invisible Man’. The process of painting his body can take up to 10 hours – with the help of assistants, Bolin uses paint to match with a portion of his chosen environment; his chosen sites have included the rubble left by earthquakes in the Chinese countryside, and the words of the Communist Manifesto scribed onto a wall. (Artist website)
Chinese Contemporary Art is marked by a wide range of styles and experimental approaches. In the 1980s, avant-garde exhibitions were often shut down by government officials. The 1990s saw the rise of political pop and cynical realism, while China's One-Child Policy influenced artists to explore the individual as a subject matter.