Pigment print on 300gsm Somerset paper.
Hand-signed.
A jewel-like close-up photograph of exotic orchid-like flowers rendered in vivid magenta and purple tones against a deep black void, At the Far Edges of the Universe 6 belongs to Marc Quinn's remarkable photographic series that trains an intensely magnifying gaze upon the fragile intricacies of natural form. The extreme chromatic saturation and velvety darkness of the background create a jewellery-box presentation that amplifies both the preciousness and the vulnerability of the floral subject. Quinn's exploration of extreme botanical close-ups is simultaneously an act of reverence toward the natural world's overlooked complexity and an elegiac meditation on accelerating extinction and planetary loss. These photographs are not simply representations of nature but ethical interventions in the contemporary moment, asserting the immeasurable value of the smallest, most delicate living organisms as the planet faces what many scientists now call the sixth mass extinction event. The pigment-print process on 300gsm Somerset paper preserves with exceptional fidelity the subtle tonal ranges and chromatic luminosity of the original photograph, producing an object of enduring museum quality. Quinn's jewel-toned florals have become emblematic of his broader artistic project: to render visible the miraculous specificity of life in all its forms, and to insist that beauty and biological wonder remain urgent ethical imperatives even in an age of ecological collapse. This edition exemplifies his most poetic and politically engaged photographic practice.
Marc Quinn (UK, 1964) is a contemporary artist known for exploring themes of identity, nature, and the human condition. Working across sculpture, painting, and installation, his notable works include Self, a sculpture of his frozen blood, and Alison Lapper Pregnant. Quinn’s art often provokes dialogue on physicality and transformation.
Pigment print A pigment print is a type of print that uses ink colored with pigment particles. Pigment ink is commonly used in inkjet printing because it is more durable and resistant to fading compared to dye-based ink, which is more vibrant but less stable over time.
Pigment print on 300gsm Somerset paper.
Hand-signed.
A jewel-like close-up photograph of exotic orchid-like flowers rendered in vivid magenta and purple tones against a deep black void, At the Far Edges of the Universe 6 belongs to Marc Quinn's remarkable photographic series that trains an intensely magnifying gaze upon the fragile intricacies of natural form. The extreme chromatic saturation and velvety darkness of the background create a jewellery-box presentation that amplifies both the preciousness and the vulnerability of the floral subject. Quinn's exploration of extreme botanical close-ups is simultaneously an act of reverence toward the natural world's overlooked complexity and an elegiac meditation on accelerating extinction and planetary loss. These photographs are not simply representations of nature but ethical interventions in the contemporary moment, asserting the immeasurable value of the smallest, most delicate living organisms as the planet faces what many scientists now call the sixth mass extinction event. The pigment-print process on 300gsm Somerset paper preserves with exceptional fidelity the subtle tonal ranges and chromatic luminosity of the original photograph, producing an object of enduring museum quality. Quinn's jewel-toned florals have become emblematic of his broader artistic project: to render visible the miraculous specificity of life in all its forms, and to insist that beauty and biological wonder remain urgent ethical imperatives even in an age of ecological collapse. This edition exemplifies his most poetic and politically engaged photographic practice.
Marc Quinn (UK, 1964) is a contemporary artist known for exploring themes of identity, nature, and the human condition. Working across sculpture, painting, and installation, his notable works include Self, a sculpture of his frozen blood, and Alison Lapper Pregnant. Quinn’s art often provokes dialogue on physicality and transformation.
I still think science is looking for answers and art is looking for questions.
- Marc Quinn
A contemporary visual artist, Marc Quinn has received widespread acclaim for his portrayal of the human form and its many complexities and variations. Quinn is known to use a variety of organic materials including bread, leaves, and even his own blood – his on-going series, titled ‘Self’ is a self-portrait formed through a frozen cast that is made up of 10 pints of his own blood; Quinn re-visits this work every 5 years by creating a new cast with fresh blood. Asides from the organic materials that he has become associated with, Quinn uses traditional materials such as bronze, marble and stainless steel; perhaps his most famous sculpture to focus on the differences found across the scale of human bodies is that of Alison Lapper, a fellow British artist born sans arms and with extremely shortened legs – it was displayed on the fourth plinth in Trafalgar Square, London between September 2005 and October 2007. (Artist website)
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.