Cotton gobelin (blanket, tapestry) in jacquard-technique woven after Marcel van Eeden's watercolour from 2014 in a book-case-box (48 x 36,5 x 7 cm) Size of the blanket: ca. 170 x 130 cm.
Sewn onto the back of the blanket is a cotton label with a unique gun-drawing signed, numbered and dated by the artist.
Oswald Sollmann – Der Traum by Marcel van Eeden, created in 2014, is a jacquard-woven tapestry that translates van Eeden’s watercolor work into textile form. This large cotton gobelin tapestry measures approximately 170 x 130 cm, capturing abstract shapes and vibrant, painterly brushstrokes in earthy tones, reminiscent of mid-century abstract expressionism. The tapestry’s layered forms and interweaving lines evoke a dreamlike, introspective atmosphere, aligning with the title Der Traum (The Dream). This edition is limited to eight pieces, each accompanied by a unique gun drawing on a cotton label sewn on the back, individually signed and numbered by van Eeden. The piece explores themes of memory and interpretation, with its tactile quality adding a new dimension to van Eeden’s original watercolor.
Marcel van Eeden (Netherlands, 1965) is a contemporary artist celebrated for his noir-inspired drawings. Using historical photos, texts, and documents predating his birth, he crafts narratives that blur fiction and reality. His intricate works, often executed in charcoal or pencil, explore memory, time, and storytelling.
TapestryTapestry is a heavy, handwoven textile featuring intricate designs or images woven directly into the fabric. Created by skilled weavers using materials like wool, linen, cotton, silk, and sometimes silver and gold threads, tapestries have historically served as art pieces, decorations, insulation, and symbols of authority.
Cotton gobelin (blanket, tapestry) in jacquard-technique woven after Marcel van Eeden's watercolour from 2014 in a book-case-box (48 x 36,5 x 7 cm) Size of the blanket: ca. 170 x 130 cm.
Sewn onto the back of the blanket is a cotton label with a unique gun-drawing signed, numbered and dated by the artist.
Oswald Sollmann – Der Traum by Marcel van Eeden, created in 2014, is a jacquard-woven tapestry that translates van Eeden’s watercolor work into textile form. This large cotton gobelin tapestry measures approximately 170 x 130 cm, capturing abstract shapes and vibrant, painterly brushstrokes in earthy tones, reminiscent of mid-century abstract expressionism. The tapestry’s layered forms and interweaving lines evoke a dreamlike, introspective atmosphere, aligning with the title Der Traum (The Dream). This edition is limited to eight pieces, each accompanied by a unique gun drawing on a cotton label sewn on the back, individually signed and numbered by van Eeden. The piece explores themes of memory and interpretation, with its tactile quality adding a new dimension to van Eeden’s original watercolor.
Marcel van Eeden (Netherlands, 1965) is a contemporary artist celebrated for his noir-inspired drawings. Using historical photos, texts, and documents predating his birth, he crafts narratives that blur fiction and reality. His intricate works, often executed in charcoal or pencil, explore memory, time, and storytelling.
I started the whole series in 1993 with the idea of doing one drawing a day.
- Marcel Van Eeden
Marcel van Eeden is a Dutch draftsman and painter whose photo-realistic style is heavily influenced by film noir. His works are primarily monochromatic depictions of urban landscapes, nocturnal scenes, depictions of crimes and close ups of nefarious characters straight out of pulp fiction. Many of Marcel van Eeden's works are based on the visual style of the years preceding his birth year of 1965. He employs the templates of newspaper clippings, illustrations and magazines from the eras to express a bleak view of the world. Marcel van Eeden cites Edgar Degas as an influence in terms of his composition and pictorial style. The botanist Robert Walser is also a strong influence with Eeden using text from Walser's books over a series of drawings. Between the years 2001-2007 Eeden set himself the task of producing a drawing in ink and pencil on paper every day, which he simultaneously chronicled on his blog. He established a set of rules for the series, including basing each work on a found image. What resulted is a collection that in the graphic novel style which is a commentary on the way history is recorded and the fallibility of memory. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.