Two colour silkscreen on coated paper.
Signed, dated and numbered to lower right.
Published by Two Palms Press, Inc., New York, New York to benefit for Downtown For Democracy;
Printed by Keigo Takahashi and Alison Sahmel, Two Palms Press, Inc., New York, New York
Kick Against the Pricks by Mel Bochner, created in 2018, is a two-color silkscreen that blends bold typography with conceptual provocation. Printed on coated paper in a limited edition of 30, the work features the phrase in dripping, blue-on-blue letters, suggesting resistance and agitation. The phrase itself—biblical in origin—has been co-opted in punk and countercultural contexts, aligning with Bochner's interest in language as material. Layers of repeated "BLAH" in the background reinforce the artist’s critique of empty rhetoric and cultural noise. This piece continues Bochner’s exploration of the power and absurdity of words in contemporary society.
Mel Bochner (USA, 1940-2025) was a conceptual artist and pioneer in text-based art. Known for his bold use of language, color, and mathematical precision, his works explore the intersection of linguistics, perception, and visual art. Bochner’s influential practice challenges viewers to reconsider the relationship between words and images.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Two colour silkscreen on coated paper.
Signed, dated and numbered to lower right.
Published by Two Palms Press, Inc., New York, New York to benefit for Downtown For Democracy;
Printed by Keigo Takahashi and Alison Sahmel, Two Palms Press, Inc., New York, New York
Kick Against the Pricks by Mel Bochner, created in 2018, is a two-color silkscreen that blends bold typography with conceptual provocation. Printed on coated paper in a limited edition of 30, the work features the phrase in dripping, blue-on-blue letters, suggesting resistance and agitation. The phrase itself—biblical in origin—has been co-opted in punk and countercultural contexts, aligning with Bochner's interest in language as material. Layers of repeated "BLAH" in the background reinforce the artist’s critique of empty rhetoric and cultural noise. This piece continues Bochner’s exploration of the power and absurdity of words in contemporary society.
Mel Bochner (USA, 1940-2025) was a conceptual artist and pioneer in text-based art. Known for his bold use of language, color, and mathematical precision, his works explore the intersection of linguistics, perception, and visual art. Bochner’s influential practice challenges viewers to reconsider the relationship between words and images.
The viewer should enter the idea through a visual or phenomenological experience rather than simply reading it.
- Mel Bochner
Regarded as one of the most influential and successful pioneers of Conceptual art,, Mel Bochner analyzed the relationship between language, physical space, and color through his text-based paintings. His work often featured expletives and derogatory words rendered in soft, pastel tones such as pink, while complimentary words appeared in sludgy brown or soiled black, subverting expected emotional responses.
One of Bochner’s most celebrated works was a series of thesaurus-based paintings, in which he filled walls with synonyms for a single word, encouraging viewers to reflect on the language they use and the meanings words carry. Throughout his career, he was vocal about his need to experiment with various materials and approaches as a means of fulfilling his artistic expression and creativity. He elaborated on this philosophy in his essay The Medium and the Tedium. (Artist website)
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.