Screenprint on paper
- Printed by Jose Alpuche
- Signed, dated and numbered in pencil on recto
Red, Green, Black by Paul McCarthy, a silkscreen print from 2005, is an intricate and layered composition that combines chaotic, gestural lines with figurative elements. Rendered in vibrant shades of red, green, and black, the artwork portrays various overlapping figures and objects that seem to merge and blend into each other, creating a sense of disarray and motion. McCarthy’s characteristic raw and provocative style is evident, as he often explores themes of identity, culture, and societal taboos. The dynamic use of color and frenetic line work lend the piece an unsettling energy, drawing viewers into a complex visual narrative that invites interpretation. Signed and numbered, this limited-edition print reflects McCarthy's intense exploration of human expression and psychological depth.
Paul McCarthy (USA, 1945) is a provocative contemporary artist known for his subversive performances, installations, and sculptures. Addressing themes of consumerism, power, and taboo, his works often challenge social norms with dark humor and grotesque imagery. McCarthy's art pushes boundaries, sparking debate about cultural values and artistic freedom.
SilkscreenSilkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Screenprint on paper
- Printed by Jose Alpuche
- Signed, dated and numbered in pencil on recto
Red, Green, Black by Paul McCarthy, a silkscreen print from 2005, is an intricate and layered composition that combines chaotic, gestural lines with figurative elements. Rendered in vibrant shades of red, green, and black, the artwork portrays various overlapping figures and objects that seem to merge and blend into each other, creating a sense of disarray and motion. McCarthy’s characteristic raw and provocative style is evident, as he often explores themes of identity, culture, and societal taboos. The dynamic use of color and frenetic line work lend the piece an unsettling energy, drawing viewers into a complex visual narrative that invites interpretation. Signed and numbered, this limited-edition print reflects McCarthy's intense exploration of human expression and psychological depth.
Paul McCarthy (USA, 1945) is a provocative contemporary artist known for his subversive performances, installations, and sculptures. Addressing themes of consumerism, power, and taboo, his works often challenge social norms with dark humor and grotesque imagery. McCarthy's art pushes boundaries, sparking debate about cultural values and artistic freedom.
People are allowed their own opinions and they don't always coincide with yours. As an artist, you just have to keep plugging on.
- Paul McCarthy
Paul McCarthy (b. 1945 USA) is an American contemporary artist known for his provocative and subversive sculptures, performances, videos, and installations that explore the darker aspects of popular culture, consumerism, and the human psyche. McCarthy's work often features grotesque and absurd imagery, using shock value to critique societal norms and expose underlying taboos. His art challenges traditional notions of propriety and decency, frequently employing disturbing, chaotic, and visceral elements to confront the viewer. Influenced by the Fluxus movement, McCarthy's performances and videos often involve disturbing and exaggerated acts, blurring the lines between reality and art. His installations, such as the inflatable sculptures and large-scale environments, parody and deconstruct iconic figures and symbols from American culture, such as Santa Claus and Disney characters, revealing the violence, repression, and excess embedded within them. McCarthy’s work has been widely exhibited in major museums and galleries around the world, making him one of the most controversial and influential figures in contemporary art.
Kitsch is a term used to describe cheap, commercial, sentimental, or vulgar art and objects commonly associated with popular culture. The word is borrowed from German, where it originally means trash. Since the 1920s, kitsch has been used to denote the opposite of high art, often implying that the work lacks sophistication or artistic merit.