Van Hoeydonck, Paul | Tete Homme Spatiens, 1964 — available on Composition Gallery

Paul Van Hoeydonck (Belgium, 1925–2025) was a multidisciplinary artist best known for his sculpture Fallen Astronaut, which was placed on the Moon during the Apollo 15 mission. His diverse body of work spanned painting, drawing, and sculpture, often exploring themes of space, technology, and human ambition in the cosmos.

Paul Van Hoeydonck

Tete Homme Spatiens, 1964

Name: Tete Homme Spatiens, 1964
SKU: 13251

Form

Sculpture / Object

Sculpture / ObjectA sculpture is a three-dimension object made using any one of the basic sculpting processes. These include carving, casting, constructing or modeling. Carving materials may be bone, ivory, stone or wood. Modeling and casting use clay or wax, while constructions glue materials together.

Medium

Chalk

ChalkChalk is a natural mineral, primarily composed of calcium carbonate. In art, chalk refers to sticks used for drawing, made from a mixture of chalk, colored pigments, and gum Arabic. These sticks are usually shaped into four flat sides for easier handling.

Edition

Unique work

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Paul Van Hoeydonck was a major figure in artistic development between 1955 and 1965, and the creator of the only piece of art to have a permanent place on the moon. Fallen Astronaut, a 3.5-inch aluminium sculpture, was designed as a tribute to astronauts who lost their lives in the pursuit of space exploration. The figure was secretly placed on the moon by astronaut David Scott, alongside a plaque bearing the names of fourteen fallen astronauts.

Van Hoeydonck was associated with the influential Zero group and maintained friendships with prominent artists such as Lucio Fontana and Heinz Mack. His artistic output spanned several styles: his early works included monochromatic collages, followed by vivid oil paintings characterised by dynamic, vibrating colour schemes. (Artist website)

Artwork by Eduardo Chillida

What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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Paul Van Hoeydonck