From "In The Darkest Hour There May Be Light" - Lithograph in colors, on wove paper, the full sheet hinged to wove paper (as issued) - Sheet: 11 x 8 1/2 in. (27.9 x 21.6 cm) - Signed, dated and numbered in pencil (there were also 29 artist's proofs) - Co-published by the Serpentine Gallery and Other Criteria, London
Richard Prince (USA, 1949) is a pioneering contemporary artist known for his provocative appropriation art. By rephotographing advertisements, altering pop culture imagery, and exploring themes of authorship, identity, and consumerism, Prince challenges notions of originality and artistic ownership. His controversial works are pivotal in the discourse on modern art.
work on paperLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
From "In The Darkest Hour There May Be Light" - Lithograph in colors, on wove paper, the full sheet hinged to wove paper (as issued) - Sheet: 11 x 8 1/2 in. (27.9 x 21.6 cm) - Signed, dated and numbered in pencil (there were also 29 artist's proofs) - Co-published by the Serpentine Gallery and Other Criteria, London
Richard Prince (USA, 1949) is a pioneering contemporary artist known for his provocative appropriation art. By rephotographing advertisements, altering pop culture imagery, and exploring themes of authorship, identity, and consumerism, Prince challenges notions of originality and artistic ownership. His controversial works are pivotal in the discourse on modern art.
My studio is the only place I feel good in. There, I'm fearless; outside, I'm a mess.
- Richard Prince
Renowned for his use of appropriated imagery, Richard Prince is a painter and photographer whose works often reimagine existing photographs and media in an attempt to encourage the viewer to look at them from a different perspective – his Cowboy series features several ‘rephotographs’ (a photograph of a photograph) of the original Marlboro cigarette adverts that featured a lone cowboy; in choosing such an iconic subject, Prince hopes to strip it of context and simultaneously celebrate and expose it as a false construct. Asides from his ‘rephotography’, Prince has also created an extensive body of ‘joke paintings’ - the jokes are usually simple and rely on a punchline, one such example being “I never had a penny to my name, so I changed my name.” Prince was in inspired by the work of Jackson Pollock from an early age, noting that he was drawn to someone who was “fairly antisocial, kind of a loner, someone who was noncollaborative” - he was also inspired by the painting techniques of Willem de Kooning. (Artist website)
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.