Artist's book with original screen print in slipcase.
- "Pierre Klossowski/Pierre Zucca: living money (1982)"
- Each print is overpainted with gold color - each work is therefore unique
Life 1 by Rosemarie Trockel, created in 2005, is a silkscreen print that revisits and manipulates a famous Life magazine cover from November 2, 1964, featuring actress Shirley Eaton in her iconic gold-painted role from the James Bond film Goldfinger. Trockel’s work overlays the original imagery with gold paint, making each print in the limited edition series a unique piece. The deliberate use of metallic gold emphasizes the themes of glamour, commodification, and the objectification of women in popular culture. By altering this classic image, Trockel critiques the allure and fetishization present in media representations of femininity. The gold overlays transform the piece, merging nostalgia with contemporary commentary on identity and societal values.
Rosemarie Trockel (Germany, 1952) is a German conceptual artist known for her diverse body of work, including drawings, paintings, sculptures, videos, and installations. She gained prominence in the 1980s with her machine-knitted wool paintings that challenged traditional art forms and gender roles. Trockel's innovative approach often critiques societal norms and explores the intersection of art and feminism.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Artist's book with original screen print in slipcase.
- "Pierre Klossowski/Pierre Zucca: living money (1982)"
- Each print is overpainted with gold color - each work is therefore unique
Life 1 by Rosemarie Trockel, created in 2005, is a silkscreen print that revisits and manipulates a famous Life magazine cover from November 2, 1964, featuring actress Shirley Eaton in her iconic gold-painted role from the James Bond film Goldfinger. Trockel’s work overlays the original imagery with gold paint, making each print in the limited edition series a unique piece. The deliberate use of metallic gold emphasizes the themes of glamour, commodification, and the objectification of women in popular culture. By altering this classic image, Trockel critiques the allure and fetishization present in media representations of femininity. The gold overlays transform the piece, merging nostalgia with contemporary commentary on identity and societal values.
Rosemarie Trockel (Germany, 1952) is a German conceptual artist known for her diverse body of work, including drawings, paintings, sculptures, videos, and installations. She gained prominence in the 1980s with her machine-knitted wool paintings that challenged traditional art forms and gender roles. Trockel's innovative approach often critiques societal norms and explores the intersection of art and feminism.
The minute something works, it ceases to be interesting. As soon as you have spelled something out, you should set it aside.
- Rosemarie Trockel
Rosemarie Trockel an artist from Germany who started her studies in 1974 at the Werkkunstschule in Cologne and found the Muelheimer Freiheit in the early 1980s. This was a group of painters in Cologne - predominantly male - but she emerged as an advocate of feminist issues, questioning the traditional hierarchies in society and in aesthetics. One material that Rosemarie Trockel uses most commonly materials is wool, which she started using during the 1980s to put together what she calls "knitting pictures," which are lengths of material that have been stretched to fit on frames, and patterned with geometrical shapes or publicly recognizable logos. One of her best known wool series isI See Darkness (2011), in which black yarn stretches over white perspex in vertical lines. Another favorite genre of hers is mixed media, such as Painting Machine and 56 BrushStrokes (1990), which incorporates steel rolls and wires. The brushes make marks on a paper roll, and they have been made from human hair and feature the names of the donors of the hair. Since the early 1990s, she has worked primarily in video.
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.