Red Marilyn by William Anastasi is a limited edition etching that reflects the artist’s engagement with pop culture and media. This piece reimagines Andy Warhol’s iconic Marilyn Monroe image, overlaid on a newspaper-style background with an article headline reading, “Warhol ‘Red Marilyn’ Sets Record at Christie’s.” The etching's monochromatic red tone adds a bold, intense visual impact, emphasizing the cultural fascination with celebrity and the commodification of art. By incorporating a newsprint effect, Anastasi blurs the line between art and media, inviting viewers to reflect on the legacy of Marilyn Monroe and the commercialization of her image in contemporary art. With only 36 copies, this work is both rare and evocative.
William Anastasi (USA, 1933–2023) was a pioneering conceptual artist whose work explored chance, indeterminacy, and the unconscious. Known for his 'Subway Drawings,' created in transit with closed eyes, Anastasi challenged traditional artistic authorship. His innovative practice included drawing, sculpture, photography, and sound art, with works held in major museums like MoMA and the Whitney.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Red Marilyn by William Anastasi is a limited edition etching that reflects the artist’s engagement with pop culture and media. This piece reimagines Andy Warhol’s iconic Marilyn Monroe image, overlaid on a newspaper-style background with an article headline reading, “Warhol ‘Red Marilyn’ Sets Record at Christie’s.” The etching's monochromatic red tone adds a bold, intense visual impact, emphasizing the cultural fascination with celebrity and the commodification of art. By incorporating a newsprint effect, Anastasi blurs the line between art and media, inviting viewers to reflect on the legacy of Marilyn Monroe and the commercialization of her image in contemporary art. With only 36 copies, this work is both rare and evocative.
William Anastasi (USA, 1933–2023) was a pioneering conceptual artist whose work explored chance, indeterminacy, and the unconscious. Known for his 'Subway Drawings,' created in transit with closed eyes, Anastasi challenged traditional artistic authorship. His innovative practice included drawing, sculpture, photography, and sound art, with works held in major museums like MoMA and the Whitney.
I trained as a painter, but I never really liked it.
- William Anastasi
William Anastasi is an American Conceptual and Minimal artist. His work is interdisciplinary and includes sculpture, painting, drawing, and installation. Some of William Anastasi’s early works used construction materials, but his work constantly changed throughout his career and there were no limits on the mediums used. He was interested in the relationship between the seen and the unseen, exploring the space between seeing and perceiving, and the element of chance in art. William Anastasi’s early work includes Relief (1961), a sculpture made of wood and cement, which he then urinated on, and Microphone (1961), which was a tape recorder that recorded itself. These pieces are among the earliest Conceptual works. Another key work, Sink (1963 – late 1970s), is an early Minimal work. Sink is a slab of steel which had water poured onto it constantly, and changed over time as the water caused it to rust. William Anastasi’s drawing work includes the Blind Drawings series, in which he drew blindfolded while listening to classical music, allowing the music to dictate his movements. This later expanded into other drawing series that included sensory deprivation, such as the Subway Drawings. These drawings were created by allowing the motion of a subway car to dictate his drawings. He wore noise-cancelling headphones so the noise of the subway would not influence his movements.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.