Bernd & Hilla Becher

Bernd and Hilla Becher (Germany, 1931–2007; 1934–2015) were pioneering photographers known for their typological studies of industrial architecture. Their stark black-and-white images of water towers, factories, and silos captured structural precision and uniformity. Founders of the Düsseldorf School of Photography, their work profoundly influenced generations of artists and shaped the visual language of modern photography.

© Bernd & Hilla Becher. All rights reserved.

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Wasserturm Kirkhamgate

Bernd & Hilla Becher

Wasserturm Kirkhamgate, 1974

Photography

Offset Print

GBP 4,200

Fördertürme

Bernd & Hilla Becher

Fördertürme, 2006

Limited Edition Print

Digital Print on paper

Currently Not Available

No sold works to show.

What is photography other than collecting?
- Bernd & Hilla Becher
Bernd (b. 1931, Germany, d. 2007, Germany) and Hilla Becher (b. 1934, Germany, d. 2015, Germany) were a pioneering duo in the world of conceptual art, best known for their collaborative work in photography. Meeting through a shared passion for the medium, the Bechers created a lasting legacy by documenting Germany's industrial architecture. Their work is celebrated for its methodical approach, capturing iconic structures such as water towers and coal bunkers in stark black-and-white, which highlighted the contrasts and geometric forms of these edifices. The timing of their work was crucial, as they photographed many industrial landmarks that were soon to disappear during the West German economic miracle. As members of the conceptual art movement, the Bechers’ oeuvre remains influential, with notable works like Cruel and Tender becoming legendary. Their collaborative efforts defy the norm of individual artistic recognition, instead solidifying their place in art history as a unified creative force.

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What is New Topographics? Artwork by Bernd & Hilla Becher

What is New Topographics?

New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscap…

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