Raymond Pettibon
Raymond Pettibon (USA, 1957) is a contemporary artist known for his graphic, text-laden drawings that merge pop culture, literature, and politics. Emerging from the punk rock scene, including designing for Black Flag, Pettibon’s works explore dark humor and subversion. His distinctive style is widely exhibited in galleries and museums worldwide.
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Raymond Pettibon
Untitled, It might easily -be drawn into drawings, 1990
Limited Edition Print
Serigraph
USD 2,900
Raymond Pettibon
I Want To Be The Girl In The Wig Commercial, 1989
Limited Edition Print
Lithograph
USD 3,900
Raymond Pettibon
And When I Want to Fly Home What Do I Do?, 2004
Limited Edition Print
Lithograph
USD 2,700
Art comes after the fact, as a witness to certain things that have happened.
- Raymond Pettibon
- Raymond Pettibon
Raymond Pettibon is a prolific contemporary American artist who is known for his drawings, which combine image and text and are often violent, ironic, and/or anti-authoritarian. Much of his illustration is political in nature, and uses black humor to critique contemporary culture. His primary medium is India ink on paper, and many of his works are black and white, although some are colored with watercolors, acrylics, pencils, gouache, or collage. His style is reminiscent of editorial cartoons, and is influenced by William Blake, Edward Hopper, and Francisco Goya. Raymond Pettibon got his start in the punk rock scene in the 1970s, and has created album covers, posters and other ephemera for bands such as Black Flag and Sonic Youth. Since 1978, he has produced limited edition photocopy booklets of his work, which he calls "Superflux Pubs," and from 1981 to 1986 he published his illustrations as an independent magazine,Tripping Corpse. Raymond Pettibon has been the recipient of a number of awards, including the Bucksbaum Award in 2004 and the University of Vienna's Oscar Kokoschka Prize in 2010. (Artist website)
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
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