Etching with aquatint and carborundum on handmade paper
Antoni Tàpies’ 70 is a limited edition print from 1973, created using a combination of etching, aquatint, and carborundum on handmade paper. This mixed-media piece embodies Tàpies’ signature exploration of texture, materiality, and abstraction. The work centers on a rugged, square form with a black, roughened texture and the number “70” prominently displayed. White markings cut across the surface, suggesting movement or a symbolic boundary. Tàpies' use of unconventional materials, such as carborundum, imbues the piece with a tactile, almost sculptural quality, inviting viewers to consider the physical and symbolic weight of the depicted forms.
Antoni Tàpies (Spain, 1923–2012) was a Catalan painter, sculptor, and art theorist renowned for his abstract works that incorporated unconventional materials like sand, marble dust, and found objects. A leading figure in Art Informel, his textured surfaces and symbolic motifs explored themes of materiality and spirituality. Tàpies co-founded the avant-garde group Dau al Set and received numerous accolades, including the Golden Lion at the Venice Biennale.
LithographMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Size
Inches
Centimeters
45 X 62 cm
Edition
Edition of 75
Price
USD
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3,300EUR
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+ VAT/import Duties (if applicable)
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Etching with aquatint and carborundum on handmade paper
Antoni Tàpies’ 70 is a limited edition print from 1973, created using a combination of etching, aquatint, and carborundum on handmade paper. This mixed-media piece embodies Tàpies’ signature exploration of texture, materiality, and abstraction. The work centers on a rugged, square form with a black, roughened texture and the number “70” prominently displayed. White markings cut across the surface, suggesting movement or a symbolic boundary. Tàpies' use of unconventional materials, such as carborundum, imbues the piece with a tactile, almost sculptural quality, inviting viewers to consider the physical and symbolic weight of the depicted forms.
Antoni Tàpies (Spain, 1923–2012) was a Catalan painter, sculptor, and art theorist renowned for his abstract works that incorporated unconventional materials like sand, marble dust, and found objects. A leading figure in Art Informel, his textured surfaces and symbolic motifs explored themes of materiality and spirituality. Tàpies co-founded the avant-garde group Dau al Set and received numerous accolades, including the Golden Lion at the Venice Biennale.
Art should startle the viewer into thinking about the meaning of life.
- Antoni Tapies
Antoni Tapies was a Spanish art theorist, sculptor and painter. Tapies also has the distinction of being one of the most popular European artists of his time. He was born in Barcelona and studied at the German School of Barcelona. He studied to be a lawyer for three years, but in 1943, he decided that he wanted to devote his career to painting. Antoni Tapies has been linked to a number of important art movements, including Matter Painting and Art Informel. Some of his early works had a surreal feel to them, but in 1953, he decided to switch his focus to abstract art. Tapies' work has been featured in a number of respected locations throughout the world, including the Museum of Modern Art in Paris and Pace Wildenstein in New York. There is also a museum dedicated to this talented artist called the Antoni Tapies Foundation. The location is also a cultural center, and is located in Tapies' home town of Barcelona. (Artist website)
Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.