// Antoni Tàpies' Llambrec-6 (1975) is a lithograph that exemplifies the artist’s affinity for combining abstract expression with symbolic gestures. The composition features a central graphic form resembling a pair of eyeglasses and mathematical notation, juxtaposed with scribbled, gestural marks. The rough, spontaneous lines create an interplay between calculated structure and raw expression, a recurring theme in Tàpies' work. The piece suggests layers of meaning, inviting viewers to explore concepts of perception, intellect, and perhaps the tension between knowledge and intuition. Tàpies uses minimal elements to evoke complexity, encouraging contemplation on the significance of simple forms.
Antoni Tàpies (Spain, 1923–2012) was a Catalan painter, sculptor, and art theorist renowned for his abstract works that incorporated unconventional materials like sand, marble dust, and found objects. A leading figure in Art Informel, his textured surfaces and symbolic motifs explored themes of materiality and spirituality. Tàpies co-founded the avant-garde group Dau al Set and received numerous accolades, including the Golden Lion at the Venice Biennale.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
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56 X 76 cm
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Edition of 75 + HC
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2,000EUR
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// Antoni Tàpies' Llambrec-6 (1975) is a lithograph that exemplifies the artist’s affinity for combining abstract expression with symbolic gestures. The composition features a central graphic form resembling a pair of eyeglasses and mathematical notation, juxtaposed with scribbled, gestural marks. The rough, spontaneous lines create an interplay between calculated structure and raw expression, a recurring theme in Tàpies' work. The piece suggests layers of meaning, inviting viewers to explore concepts of perception, intellect, and perhaps the tension between knowledge and intuition. Tàpies uses minimal elements to evoke complexity, encouraging contemplation on the significance of simple forms.
Antoni Tàpies (Spain, 1923–2012) was a Catalan painter, sculptor, and art theorist renowned for his abstract works that incorporated unconventional materials like sand, marble dust, and found objects. A leading figure in Art Informel, his textured surfaces and symbolic motifs explored themes of materiality and spirituality. Tàpies co-founded the avant-garde group Dau al Set and received numerous accolades, including the Golden Lion at the Venice Biennale.
Art should startle the viewer into thinking about the meaning of life.
- Antoni Tapies
Antoni Tapies was a Spanish art theorist, sculptor and painter. Tapies also has the distinction of being one of the most popular European artists of his time. He was born in Barcelona and studied at the German School of Barcelona. He studied to be a lawyer for three years, but in 1943, he decided that he wanted to devote his career to painting. Antoni Tapies has been linked to a number of important art movements, including Matter Painting and Art Informel. Some of his early works had a surreal feel to them, but in 1953, he decided to switch his focus to abstract art. Tapies' work has been featured in a number of respected locations throughout the world, including the Museum of Modern Art in Paris and Pace Wildenstein in New York. There is also a museum dedicated to this talented artist called the Antoni Tapies Foundation. The location is also a cultural center, and is located in Tapies' home town of Barcelona. (Artist website)
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.