Signed and numbered by the artist.
Published by Erker-Presse St. Gallen, with their dry stamp.
Catalogue #: 921
Antoni Tàpies’ Neujahrskarte 1984 (1983) is a striking lithograph that exemplifies his fusion of gestural abstraction and symbolic elements. The composition features a finely detailed leaf floating above an expressive black scribble, creating a contrast between organic precision and raw spontaneity. A bold red "X" in the lower right corner serves as a signature motif often found in Tàpies’ work, symbolizing negation, presence, or transformation. The delicate yet powerful balance between controlled form and dynamic movement reflects his exploration of materiality and meaning. Part of an edition of 200 plus artist proofs, catalogued as 921, this work captures Tàpies’ mastery of texture, space, and gestural mark-making.
Antoni Tàpies (Spain, 1923–2012) was a Catalan painter, sculptor, and art theorist renowned for his abstract works that incorporated unconventional materials like sand, marble dust, and found objects. A leading figure in Art Informel, his textured surfaces and symbolic motifs explored themes of materiality and spirituality. Tàpies co-founded the avant-garde group Dau al Set and received numerous accolades, including the Golden Lion at the Venice Biennale.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Signed and numbered by the artist.
Published by Erker-Presse St. Gallen, with their dry stamp.
Catalogue #: 921
Antoni Tàpies’ Neujahrskarte 1984 (1983) is a striking lithograph that exemplifies his fusion of gestural abstraction and symbolic elements. The composition features a finely detailed leaf floating above an expressive black scribble, creating a contrast between organic precision and raw spontaneity. A bold red "X" in the lower right corner serves as a signature motif often found in Tàpies’ work, symbolizing negation, presence, or transformation. The delicate yet powerful balance between controlled form and dynamic movement reflects his exploration of materiality and meaning. Part of an edition of 200 plus artist proofs, catalogued as 921, this work captures Tàpies’ mastery of texture, space, and gestural mark-making.
Antoni Tàpies (Spain, 1923–2012) was a Catalan painter, sculptor, and art theorist renowned for his abstract works that incorporated unconventional materials like sand, marble dust, and found objects. A leading figure in Art Informel, his textured surfaces and symbolic motifs explored themes of materiality and spirituality. Tàpies co-founded the avant-garde group Dau al Set and received numerous accolades, including the Golden Lion at the Venice Biennale.
Art should startle the viewer into thinking about the meaning of life.
- Antoni Tapies
Antoni Tapies was a Spanish art theorist, sculptor and painter. Tapies also has the distinction of being one of the most popular European artists of his time. He was born in Barcelona and studied at the German School of Barcelona. He studied to be a lawyer for three years, but in 1943, he decided that he wanted to devote his career to painting. Antoni Tapies has been linked to a number of important art movements, including Matter Painting and Art Informel. Some of his early works had a surreal feel to them, but in 1953, he decided to switch his focus to abstract art. Tapies' work has been featured in a number of respected locations throughout the world, including the Museum of Modern Art in Paris and Pace Wildenstein in New York. There is also a museum dedicated to this talented artist called the Antoni Tapies Foundation. The location is also a cultural center, and is located in Tapies' home town of Barcelona. (Artist website)
A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.