// Llambrec-2 by Antoni Tàpies is a lithograph from 1975 that encapsulates the artist’s signature style, blending gestural abstraction with symbolic elements. This limited edition print displays an assemblage of textures, scribbles, and marks in predominantly black and white, punctuated by a small patch of red. The composition includes enigmatic forms, such as rough geometric shapes, layered cross-hatching, and abstract symbols, evoking an almost graffiti-like aesthetic. The letterforms scattered across the piece suggest fragments of language or personal symbols, creating a mysterious and expressive landscape. Tàpies often explored themes of existentialism, spirituality, and the interplay between form and matter, all of which are subtly embodied in this complex and contemplative work.
Antoni Tàpies (Spain, 1923–2012) was a Catalan painter, sculptor, and art theorist renowned for his abstract works that incorporated unconventional materials like sand, marble dust, and found objects. A leading figure in Art Informel, his textured surfaces and symbolic motifs explored themes of materiality and spirituality. Tàpies co-founded the avant-garde group Dau al Set and received numerous accolades, including the Golden Lion at the Venice Biennale.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
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56 X 76 cm
Edition
Edition of 75
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2,200EUR
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// Llambrec-2 by Antoni Tàpies is a lithograph from 1975 that encapsulates the artist’s signature style, blending gestural abstraction with symbolic elements. This limited edition print displays an assemblage of textures, scribbles, and marks in predominantly black and white, punctuated by a small patch of red. The composition includes enigmatic forms, such as rough geometric shapes, layered cross-hatching, and abstract symbols, evoking an almost graffiti-like aesthetic. The letterforms scattered across the piece suggest fragments of language or personal symbols, creating a mysterious and expressive landscape. Tàpies often explored themes of existentialism, spirituality, and the interplay between form and matter, all of which are subtly embodied in this complex and contemplative work.
Antoni Tàpies (Spain, 1923–2012) was a Catalan painter, sculptor, and art theorist renowned for his abstract works that incorporated unconventional materials like sand, marble dust, and found objects. A leading figure in Art Informel, his textured surfaces and symbolic motifs explored themes of materiality and spirituality. Tàpies co-founded the avant-garde group Dau al Set and received numerous accolades, including the Golden Lion at the Venice Biennale.
Art should startle the viewer into thinking about the meaning of life.
- Antoni Tapies
Antoni Tapies was a Spanish art theorist, sculptor and painter. Tapies also has the distinction of being one of the most popular European artists of his time. He was born in Barcelona and studied at the German School of Barcelona. He studied to be a lawyer for three years, but in 1943, he decided that he wanted to devote his career to painting. Antoni Tapies has been linked to a number of important art movements, including Matter Painting and Art Informel. Some of his early works had a surreal feel to them, but in 1953, he decided to switch his focus to abstract art. Tapies' work has been featured in a number of respected locations throughout the world, including the Museum of Modern Art in Paris and Pace Wildenstein in New York. There is also a museum dedicated to this talented artist called the Antoni Tapies Foundation. The location is also a cultural center, and is located in Tapies' home town of Barcelona. (Artist website)
A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.