Boules Tactiles sur Fond Rouge by Antonio Asis is a mixed media sculpture from 2015 that brings together wood, steel, and cork balls in a vibrant and structured composition. This piece features an arrangement of white spherical forms set in a precise grid pattern on a bright red background. The high contrast between the white balls and the red base creates a dynamic visual rhythm, enhanced by the play of shadows that gives depth to the otherwise flat arrangement. Asis’s work often explores the optical and tactile, encouraging viewers to engage visually and sensorially with the geometry and texture. Limited to 15 editions, this artwork is a striking example of minimalist precision and sensory exploration.
Antonio Asis (Argentina, 1932–2019) was a prominent figure in Op Art and Kinetic Art, known for his vibrant geometric compositions that explore perception and movement. Using optical illusions and rhythmic patterns, his works engage the viewer in dynamic visual experiences. Asis’s innovative art earned him international recognition, influencing generations of abstract and kinetic artists.
SculptureMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Size
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Centimeters
55 X 55 X 10 cm
Edition
Edition of 15
Price
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CHF
3,000EUR
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+ VAT/import Duties (if applicable)
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wood, steel and cork balls
Boules Tactiles sur Fond Rouge by Antonio Asis is a mixed media sculpture from 2015 that brings together wood, steel, and cork balls in a vibrant and structured composition. This piece features an arrangement of white spherical forms set in a precise grid pattern on a bright red background. The high contrast between the white balls and the red base creates a dynamic visual rhythm, enhanced by the play of shadows that gives depth to the otherwise flat arrangement. Asis’s work often explores the optical and tactile, encouraging viewers to engage visually and sensorially with the geometry and texture. Limited to 15 editions, this artwork is a striking example of minimalist precision and sensory exploration.
Antonio Asis (Argentina, 1932–2019) was a prominent figure in Op Art and Kinetic Art, known for his vibrant geometric compositions that explore perception and movement. Using optical illusions and rhythmic patterns, his works engage the viewer in dynamic visual experiences. Asis’s innovative art earned him international recognition, influencing generations of abstract and kinetic artists.
Argentine abstractkinetic artist Antonio Asis lives and works in Paris. In 1950 he obtained his doctorate degree from the National School of Fine Arts in Buenos, where he had been studying art since the age of 14. In 1944 Antonio Asis became involved with the publication of an Argentine arts magazine, Arturo, and he was one of the founder members of an art association in Buenos Aires, which after 1945 was an important city for artists who were involved in the development abstract art. Antonio Asis moved to Paris in 1956, where he first became interested in kinetic artand where be worked alongside other international artists, including Victor Vasarely, Yaacov Agam and Jesus Rafael Soto. Antonio Asis started exploring the vibrations between colors and their harmonies and he also made use of monochrome in some of his work. Much of his art focused on the use of spiral, spheres and other geometric shapes as abstract forms. In 1971 Antonio Asis was co-founder of the Position group of ex-pat Argentine artists with an interest in the vibrations and movement of light, who were also working in Paris at that time.
Latin American Art is a style which takes inspiration from its culture, society, politics, native traditions, religions and landscape. Op-Art and Kinetic Art figure prominently in Latin artworks. Colors in Latin American compositions are often bold. Latin American artists work in all media and movements.