Photo etching on Zinc, drypoint etching reworked
- Set of 3. Original linen folder including frontcover
This series consists of photo etchings on zinc and drypoint etchings, measuring 68 x 50 cm, presented within an original linen folder. The three compositions depict Rainer’s exploration of the human body and expression, emphasizing exaggerated poses and facial distortions. The first panel features a blue-toned figure with radiating lines, arms outstretched in an almost cruciform pose. The central panel, set against a green background, portrays a similar pose, but the figure is more dynamic and chaotic. The final red-toned image captures a frontal view of a distorted face with intense overdrawn lines, evoking tension and performative struggle.
Rainer’s Body Poses series marks a key period in his career, where he merged photography with overpainting and etching. Stemming from his fascination with "Face Farces" and grimaces in public photo booths, these works incorporate performative elements of action art, emphasizing his unique engagement with physicality, abstraction, and emotional intensity. Exhibited in 2009/10 (Arnulf Rainer – Werke auf Papier 1970–2009), the series highlights Rainer’s innovative, expressive approach to the human form.
Arnulf Rainer (Austria, 1929) is a pioneering artist known for his abstract informal art. He co-founded the Hundsgruppe in 1950 and developed his signature 'overpaintings,' where he layered paint over existing images, exploring themes of creation and destruction. Rainer's work often delves into the subconscious, reflecting his interest in dreams and the mystical.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Photo etching on Zinc, drypoint etching reworked
- Set of 3. Original linen folder including frontcover
This series consists of photo etchings on zinc and drypoint etchings, measuring 68 x 50 cm, presented within an original linen folder. The three compositions depict Rainer’s exploration of the human body and expression, emphasizing exaggerated poses and facial distortions. The first panel features a blue-toned figure with radiating lines, arms outstretched in an almost cruciform pose. The central panel, set against a green background, portrays a similar pose, but the figure is more dynamic and chaotic. The final red-toned image captures a frontal view of a distorted face with intense overdrawn lines, evoking tension and performative struggle.
Rainer’s Body Poses series marks a key period in his career, where he merged photography with overpainting and etching. Stemming from his fascination with "Face Farces" and grimaces in public photo booths, these works incorporate performative elements of action art, emphasizing his unique engagement with physicality, abstraction, and emotional intensity. Exhibited in 2009/10 (Arnulf Rainer – Werke auf Papier 1970–2009), the series highlights Rainer’s innovative, expressive approach to the human form.
Arnulf Rainer (Austria, 1929) is a pioneering artist known for his abstract informal art. He co-founded the Hundsgruppe in 1950 and developed his signature 'overpaintings,' where he layered paint over existing images, exploring themes of creation and destruction. Rainer's work often delves into the subconscious, reflecting his interest in dreams and the mystical.
Only an 'almost,' a 'nearly,' is possible.
- Arnulf Rainer
Renowned for his abstractappropriation art, Arnulf Rainer is a painter and founder of the Hundgruppe (dog group) alongside fellow artists Brauer and Mikl. Rainer has recevied acclaim for his technique of ‘overpainting’ which involves him taking a pre-existing work, and painting over it, usually with gestural strokes and a heavy impasto; Wine Crucifix is one of his most notable ‘overpaintings’ - originally painted in 1957 by the artist, he decided to rework it in 1978 noting that the ‘quality and truth of the picture only grew as it became darker and darker’. Rainer was heavily inspired by the depths of the human mind and explored his own subconscious through painting with the technique of Automatism, popular among Surrealist painters – he also experimented with painting with his feet and fingers as well as exploring the effect of hallucinogenic drugs on his creativity.
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.