China on paper
- Signed, dated and dedicated on the back
- Archived and authenticated at Archivio Dadamaino
Il movimento delle cose by Dadamaino, created in 1994, is a pen and ink drawing that exemplifies the artist's exploration of movement and rhythm through repetitive patterns. The artwork features intricate, undulating lines that create a sense of continuous flow and motion across the paper. The delicate, almost hypnotic patterns suggest organic forms and shifting waves, invoking both calm and complexity. This work is part of Dadamaino’s broader study of optical and kinetic art, where simple forms are repeated to create a dynamic visual experience. The piece measures 50 x 70 cm and is signed, dated, and dedicated on the back. It is archived and authenticated by Archivio Dadamaino, further confirming its significance within the artist's oeuvre.
Dadamaino (Italy, 1930–2004), born Eduarda Emilia Maino, was a pioneering artist in the Italian avant-garde. Associated with the Zero group and Arte Povera, she explored themes of space, light, and rhythm through minimalistic works. Her iconic Volumes series featured perforated canvases, challenging traditional notions of depth and perception in art.
Pen and inkPen and ink is a traditional drawing technique that involves using a dip pen with India ink on paper. The fine tip of the dip pen is ideal for creating varied lines and detailed shading. Some artists prefer using a fountain pen with an ink reservoir for greater convenience.
China on paper
- Signed, dated and dedicated on the back
- Archived and authenticated at Archivio Dadamaino
Il movimento delle cose by Dadamaino, created in 1994, is a pen and ink drawing that exemplifies the artist's exploration of movement and rhythm through repetitive patterns. The artwork features intricate, undulating lines that create a sense of continuous flow and motion across the paper. The delicate, almost hypnotic patterns suggest organic forms and shifting waves, invoking both calm and complexity. This work is part of Dadamaino’s broader study of optical and kinetic art, where simple forms are repeated to create a dynamic visual experience. The piece measures 50 x 70 cm and is signed, dated, and dedicated on the back. It is archived and authenticated by Archivio Dadamaino, further confirming its significance within the artist's oeuvre.
Dadamaino (Italy, 1930–2004), born Eduarda Emilia Maino, was a pioneering artist in the Italian avant-garde. Associated with the Zero group and Arte Povera, she explored themes of space, light, and rhythm through minimalistic works. Her iconic Volumes series featured perforated canvases, challenging traditional notions of depth and perception in art.
I have always loathed the material and have always sought the immaterial.
- Dadamaino
A member of the avant-garde movement of Milan in the 1960’s, Dadamaino was a visual artist and painter, widely known for works such as Ricerca Del Colore - a study and analysis of the chromatics of the solar spectrum. Perhaps this work highlights better than any the central focus of her artistic outputs - space, light and movement. Dadamaino was a member of several artistic groups throughout her career, including the Manzoni-funded group - Azimuth, and Zero, alongside Heinz Mach and Gunter Uecker. L’Alfabeto della Mente (Alphabet of the Mind), was one of Dadamaino’s later works in which she directed her focus on to text-based art to create signs that depicted repeated text. Dadamaino has been staunch in her praise for Yves Klein and Lucio Fontana, citing them as major influences on her own artistic endeavours. (Artist website)
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.