Offset colour lithograph, signed and dated by the artist.
Go Between by Dennis Oppenheim is a thought-provoking offset color lithograph from 1977, featuring a sequence of photographs and text that examines themes of connection, physicality, and human interaction. The artwork presents twelve small, monochromatic images showing pairs of figures engaged in a close, intertwined movement, almost as if wrestling or engaged in an intimate, physical dialogue. Below the images, Oppenheim includes a text that reflects on the physical and psychological experiences of proximity and touch, exploring the boundary between individual identities and shared experiences. Signed and dated by the artist, this piece, measuring 74 cm by 56 cm, serves as a commentary on human relationships and the complexity of interpersonal space, characteristic of Oppenheim's conceptual approach in the 1970s.
Dennis Oppenheim (USA, 1938–2011) was a conceptual artist and sculptor known for his groundbreaking work in land art, performance, and public installations. Blending humor and social commentary, his projects ranged from ephemeral earthworks to monumental sculptures. Oppenheim’s innovative approach challenged the boundaries of contemporary art.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Offset colour lithograph, signed and dated by the artist.
Go Between by Dennis Oppenheim is a thought-provoking offset color lithograph from 1977, featuring a sequence of photographs and text that examines themes of connection, physicality, and human interaction. The artwork presents twelve small, monochromatic images showing pairs of figures engaged in a close, intertwined movement, almost as if wrestling or engaged in an intimate, physical dialogue. Below the images, Oppenheim includes a text that reflects on the physical and psychological experiences of proximity and touch, exploring the boundary between individual identities and shared experiences. Signed and dated by the artist, this piece, measuring 74 cm by 56 cm, serves as a commentary on human relationships and the complexity of interpersonal space, characteristic of Oppenheim's conceptual approach in the 1970s.
Dennis Oppenheim (USA, 1938–2011) was a conceptual artist and sculptor known for his groundbreaking work in land art, performance, and public installations. Blending humor and social commentary, his projects ranged from ephemeral earthworks to monumental sculptures. Oppenheim’s innovative approach challenged the boundaries of contemporary art.
Make things that carry with them the residue of where they have been.
- Dennis Oppenheim
Dennis Oppenheim was an American conceptual artist best known for his chaotic, shifting style and large architectural sculptures meant for display in outdoor public spaces. Despite not having access to arts classes until after high school, he earned a BFA from the School of Arts and Crafts in California and an MFA from Stanford. Between moving to New York in 1966 and his death in 2011, the artist worked with a variety of media, including photography, video, industrial materials, his own body, and the landscape itself. He also gave many of his pieces long, poetic titles. Dennis Oppenheim began experimenting with the art of earthworks or land art in the late 60's, when he cut his pieces out of ice, snow, and wheat in nature. In 1970, a shaped sunburn on his chestmarked his foray into body art, which was followed by photos of other acts bordering on self harm in protest against the Vietnam War.In stark contrast to the "natural" materials he worked with previously, the artist began to create art from 1979 to the middle of the following decade by integrating industrial machinery and automatons into larger spaces. Oppenheim's metaphorical canvas expanded over the last two decades of his life into a series of large, permanentpublic art installations. These are the works he is most lauded for today. Although some of his pieces -- mainly the pop sculptures -- have been decried as vulgar, hokey, or blasphemous, this controversial sculptor no doubt paved the way for conceptual art in its many forms in the early 21st century. (Artist website)
Also referred to as Earth Art, Earthworks, or Environmental Art, Land Art is a sculptural movement that involves creating artworks that integrate conceptual or physical elements of the earth or landscape into the finished piece. These works often interact directly with the environment, using natural materials and settings to explore themes related to nature, place, and time