Etching on Rives BFK paper
- From the book Joan Brossa: A Peu Pell Llibre I-IX.
- Printed at Taller Hatz, San Sebastián.
- Catalog number: 94012. Cataloged on page 274 of Eduardo Chillida. Opus P.III. Complete Catalog of Graphic Works. Catalogue Raisonné Of The Original Prints. Werkverzeichnis Der DruckGraphik. 1986-1996. Chorus-Verlag. 1996.
Eduardo Chillida's Rem I Pala is a limited edition etching from 1994. The composition is minimalistic, featuring a small abstract black form positioned centrally within a large expanse of white space. The black shape is composed of geometric forms with a slightly textured pattern, contrasting against the smooth white background. The restrained use of space and the juxtaposition of light and dark create a contemplative mood, characteristic of Chillida's exploration of form, space, and the relationship between positive and negative areas. The central motif is both abstract and architectural, invoking a sense of structure and balance while leaving interpretation open.
Eduardo Chillida (Spain, 1924–2002) was a visionary sculptor renowned for his monumental works in steel, stone, and concrete. Inspired by space, landscape, and philosophy, his abstract forms explore tension and balance. Chillida’s iconic public sculptures, including The Comb of the Wind, have made him a key figure in modern sculpture.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Etching on Rives BFK paper
- From the book Joan Brossa: A Peu Pell Llibre I-IX.
- Printed at Taller Hatz, San Sebastián.
- Catalog number: 94012. Cataloged on page 274 of Eduardo Chillida. Opus P.III. Complete Catalog of Graphic Works. Catalogue Raisonné Of The Original Prints. Werkverzeichnis Der DruckGraphik. 1986-1996. Chorus-Verlag. 1996.
Eduardo Chillida's Rem I Pala is a limited edition etching from 1994. The composition is minimalistic, featuring a small abstract black form positioned centrally within a large expanse of white space. The black shape is composed of geometric forms with a slightly textured pattern, contrasting against the smooth white background. The restrained use of space and the juxtaposition of light and dark create a contemplative mood, characteristic of Chillida's exploration of form, space, and the relationship between positive and negative areas. The central motif is both abstract and architectural, invoking a sense of structure and balance while leaving interpretation open.
Eduardo Chillida (Spain, 1924–2002) was a visionary sculptor renowned for his monumental works in steel, stone, and concrete. Inspired by space, landscape, and philosophy, his abstract forms explore tension and balance. Chillida’s iconic public sculptures, including The Comb of the Wind, have made him a key figure in modern sculpture.
In my work, I have never had any use for anything that I have known in advance.
- Eduardo Chillida
Known for his monumental, abstract installations, Eduardo Chillida was a highly celebrated Basque artist, whose works are on display in parks, public squares and museums across the world. Chillida’s works were primarily comprised of steel, wood and iron and often reflected his fascination with the relationship between materiality and space; The Comb of the Wind is one of his most popular sculptures and combines geometric forms and linked shapes to create an imposing force for the viewer – he has commented: “the sculptures are very large and my work is a rebellion against gravity... a dialectic exists between the empty and full space”. Chillida initially studied architecture before combining this experience with art and focusing on light, spatial matters and landscape – Monumento and Berlin are two further examples of his extensive body of work. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.