Sugar etching
- Published by Museo del Prado, Madrid.
- Printed by Taller Hatz, San Sebastián.
- Catalog number: 91003. Cataloged on page 212 of Eduardo Chillida. Opus P.III. Complete Catalog of Graphic Works. Catalogue Raisonné Of The Original Prints. Werkverzeichnis Der DruckGraphik. 1986-1996. Chorus-Verlag. 1996.
Eduardo Chillida's Zedatu III, created in 1991, is a sugar etching that embodies his signature exploration of space, form, and balance. The artwork, consisting of bold black geometric lines and shapes against a white background, creates an abstract yet harmonious composition. The thick, angular forms interlock and intersect, suggesting a sense of enclosure or boundary, a recurring theme in Chillida’s work. Published by Museo del Prado and printed by Taller Hatz in San Sebastián, this piece is part of an edition of 75, demonstrating the artist’s mastery in merging minimalism with expressive form.
Eduardo Chillida (Spain, 1924–2002) was a visionary sculptor renowned for his monumental works in steel, stone, and concrete. Inspired by space, landscape, and philosophy, his abstract forms explore tension and balance. Chillida’s iconic public sculptures, including The Comb of the Wind, have made him a key figure in modern sculpture.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Size
Inches
Centimeters
50 X 66 cm
Edition
Edition of 75 + VIII + X P.A. + 3 H.C + 2 P.T. + 2 E.C.
Sugar etching
- Published by Museo del Prado, Madrid.
- Printed by Taller Hatz, San Sebastián.
- Catalog number: 91003. Cataloged on page 212 of Eduardo Chillida. Opus P.III. Complete Catalog of Graphic Works. Catalogue Raisonné Of The Original Prints. Werkverzeichnis Der DruckGraphik. 1986-1996. Chorus-Verlag. 1996.
Eduardo Chillida's Zedatu III, created in 1991, is a sugar etching that embodies his signature exploration of space, form, and balance. The artwork, consisting of bold black geometric lines and shapes against a white background, creates an abstract yet harmonious composition. The thick, angular forms interlock and intersect, suggesting a sense of enclosure or boundary, a recurring theme in Chillida’s work. Published by Museo del Prado and printed by Taller Hatz in San Sebastián, this piece is part of an edition of 75, demonstrating the artist’s mastery in merging minimalism with expressive form.
Eduardo Chillida (Spain, 1924–2002) was a visionary sculptor renowned for his monumental works in steel, stone, and concrete. Inspired by space, landscape, and philosophy, his abstract forms explore tension and balance. Chillida’s iconic public sculptures, including The Comb of the Wind, have made him a key figure in modern sculpture.
In my work, I have never had any use for anything that I have known in advance.
- Eduardo Chillida
Known for his monumental, abstract installations, Eduardo Chillida was a highly celebrated Basque artist, whose works are on display in parks, public squares and museums across the world. Chillida’s works were primarily comprised of steel, wood and iron and often reflected his fascination with the relationship between materiality and space; The Comb of the Wind is one of his most popular sculptures and combines geometric forms and linked shapes to create an imposing force for the viewer – he has commented: “the sculptures are very large and my work is a rebellion against gravity... a dialectic exists between the empty and full space”. Chillida initially studied architecture before combining this experience with art and focusing on light, spatial matters and landscape – Monumento and Berlin are two further examples of his extensive body of work. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.