// Without Title 1 by Eric Fischl is a dramatic lithograph from 2009 that captures the intensity and tension of a bullfighting scene. The figure of a matador, dressed in a bold red outfit, raises his arms high, holding banderillas in preparation to engage the charging black bull below. The background, rendered in expressive, swirling strokes of gray and black, enhances the sense of movement and chaos surrounding the moment. Fischl's use of contrasting colors and dynamic brushwork emphasizes the danger and power within the interaction, evoking the visceral energy of the bullring. This piece reflects Fischl's exploration of human vulnerability and courage in the face of confrontation.
Eric Fischl (USA, 1948) is a leading contemporary painter known for his psychologically charged figurative works. Often depicting suburban settings, his art explores themes of intimacy, dysfunction, and human vulnerability, blending realism with a cinematic, narrative quality.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
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100 X 70 cm
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Edition of 35
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2,000EUR
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// Without Title 1 by Eric Fischl is a dramatic lithograph from 2009 that captures the intensity and tension of a bullfighting scene. The figure of a matador, dressed in a bold red outfit, raises his arms high, holding banderillas in preparation to engage the charging black bull below. The background, rendered in expressive, swirling strokes of gray and black, enhances the sense of movement and chaos surrounding the moment. Fischl's use of contrasting colors and dynamic brushwork emphasizes the danger and power within the interaction, evoking the visceral energy of the bullring. This piece reflects Fischl's exploration of human vulnerability and courage in the face of confrontation.
Eric Fischl (USA, 1948) is a leading contemporary painter known for his psychologically charged figurative works. Often depicting suburban settings, his art explores themes of intimacy, dysfunction, and human vulnerability, blending realism with a cinematic, narrative quality.
Highly acclaimed for his depictions of American suburbia and the taboo undercurrents that run throughout, Eric Fischl is a painter, draughtsman and sculptor. Fischl’s subject matter is often highly controversial and tackles themes such as adolescent sexuality and voyeurism – Bad Boy and Birthday Boy both portray young boys observing older women appearing in provocative positions upon a bed. Creating in the style of neo-expressionism and often likened to such artists as Degas, Fischl is unafraid of controversy; he has stated: ‘I vowed that I would never let the unspeakable also be unshowable. I would paint what could not be said.’ His 9/11 memorial sculpture, Tumbling Woman was a stark and moving tribute to the victims who jumped from the buildings after the planes hit – this sculpture was met with outrage and removed from its site within a week of its installation, of this, Fischl has said: ‘It’s meant to touch, in a way, to connect you on the inside, so you don’t feel so alone and vulnerable’ - further exemplifying his need to evoke emotion and reflection with his art. (Artist website)
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.