// Without Title 2 by Eric Fischl is a striking 2009 lithograph that portrays a dramatic moment in a bullfight. The composition captures the intense confrontation between the matador and the bull, with swirling gray and black tones that convey movement and tension. The matador, poised and graceful, brandishes a bold red cape, which contrasts sharply against the muted backdrop, highlighting the dangerous dance between man and beast. Fischl's expressive brushstrokes and dynamic use of color amplify the raw emotion and energy of the scene, creating a visceral impression that invites viewers into the heart of this traditional, yet controversial, spectacle.
Eric Fischl (USA, 1948) is a leading contemporary painter known for his psychologically charged figurative works. Often depicting suburban settings, his art explores themes of intimacy, dysfunction, and human vulnerability, blending realism with a cinematic, narrative quality.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
Inches
Centimeters
70 X 100 cm
Edition
Edition of 35
Price
USD
EUR
GBP
CHF
2,000EUR
?
+ VAT/import Duties (if applicable)
Authenticity Guaranteed
Insured Shipping
Online Since 2005
Share
●Inventory 4523
●Signed
●Comes with gallery invoice and certificate
●Any questions?
// Without Title 2 by Eric Fischl is a striking 2009 lithograph that portrays a dramatic moment in a bullfight. The composition captures the intense confrontation between the matador and the bull, with swirling gray and black tones that convey movement and tension. The matador, poised and graceful, brandishes a bold red cape, which contrasts sharply against the muted backdrop, highlighting the dangerous dance between man and beast. Fischl's expressive brushstrokes and dynamic use of color amplify the raw emotion and energy of the scene, creating a visceral impression that invites viewers into the heart of this traditional, yet controversial, spectacle.
Eric Fischl (USA, 1948) is a leading contemporary painter known for his psychologically charged figurative works. Often depicting suburban settings, his art explores themes of intimacy, dysfunction, and human vulnerability, blending realism with a cinematic, narrative quality.
Highly acclaimed for his depictions of American suburbia and the taboo undercurrents that run throughout, Eric Fischl is a painter, draughtsman and sculptor. Fischl’s subject matter is often highly controversial and tackles themes such as adolescent sexuality and voyeurism – Bad Boy and Birthday Boy both portray young boys observing older women appearing in provocative positions upon a bed. Creating in the style of neo-expressionism and often likened to such artists as Degas, Fischl is unafraid of controversy; he has stated: ‘I vowed that I would never let the unspeakable also be unshowable. I would paint what could not be said.’ His 9/11 memorial sculpture, Tumbling Woman was a stark and moving tribute to the victims who jumped from the buildings after the planes hit – this sculpture was met with outrage and removed from its site within a week of its installation, of this, Fischl has said: ‘It’s meant to touch, in a way, to connect you on the inside, so you don’t feel so alone and vulnerable’ - further exemplifying his need to evoke emotion and reflection with his art. (Artist website)
Contemporary art refers to avant-garde or innovative art created in the recent past or present day. The exact starting point of contemporary art varies depending on the institution, often tied to the founding year of museums or galleries that showcase the style. Contemporary art is characterized by its focus on current ideas, diverse media, and the exploration of new concepts and techniques.