// Untitled 3 by Eric Fischl is a limited edition lithograph from 2009, capturing the intense drama of a bullfight in a powerful, expressionistic style. The scene centers on a matador and a charging bull, rendered in contrasting strokes of deep black and vivid red, highlighting the visceral energy of the moment. The matador’s stance is poised yet tense, while the bull lunges forward with raw strength. Fischl's use of bold, gestural marks conveys the physicality and danger inherent in the bullfight, emphasizing themes of bravery, tradition, and the primal clash between man and beast. The sparse, minimal background further isolates the figures, intensifying the focus on their dynamic interaction.
Eric Fischl (USA, 1948) is a leading contemporary painter known for his psychologically charged figurative works. Often depicting suburban settings, his art explores themes of intimacy, dysfunction, and human vulnerability, blending realism with a cinematic, narrative quality.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
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Centimeters
70 X 100 cm
Edition
Edition of 35
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2,000EUR
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// Untitled 3 by Eric Fischl is a limited edition lithograph from 2009, capturing the intense drama of a bullfight in a powerful, expressionistic style. The scene centers on a matador and a charging bull, rendered in contrasting strokes of deep black and vivid red, highlighting the visceral energy of the moment. The matador’s stance is poised yet tense, while the bull lunges forward with raw strength. Fischl's use of bold, gestural marks conveys the physicality and danger inherent in the bullfight, emphasizing themes of bravery, tradition, and the primal clash between man and beast. The sparse, minimal background further isolates the figures, intensifying the focus on their dynamic interaction.
Eric Fischl (USA, 1948) is a leading contemporary painter known for his psychologically charged figurative works. Often depicting suburban settings, his art explores themes of intimacy, dysfunction, and human vulnerability, blending realism with a cinematic, narrative quality.
Highly acclaimed for his depictions of American suburbia and the taboo undercurrents that run throughout, Eric Fischl is a painter, draughtsman and sculptor. Fischl’s subject matter is often highly controversial and tackles themes such as adolescent sexuality and voyeurism – Bad Boy and Birthday Boy both portray young boys observing older women appearing in provocative positions upon a bed. Creating in the style of neo-expressionism and often likened to such artists as Degas, Fischl is unafraid of controversy; he has stated: ‘I vowed that I would never let the unspeakable also be unshowable. I would paint what could not be said.’ His 9/11 memorial sculpture, Tumbling Woman was a stark and moving tribute to the victims who jumped from the buildings after the planes hit – this sculpture was met with outrage and removed from its site within a week of its installation, of this, Fischl has said: ‘It’s meant to touch, in a way, to connect you on the inside, so you don’t feel so alone and vulnerable’ - further exemplifying his need to evoke emotion and reflection with his art. (Artist website)
Contemporary art refers to avant-garde or innovative art created in the recent past or present day. The exact starting point of contemporary art varies depending on the institution, often tied to the founding year of museums or galleries that showcase the style. Contemporary art is characterized by its focus on current ideas, diverse media, and the exploration of new concepts and techniques.