One of the 6 lithographs from the porfolio of Seated Figures - Catalogue number 410 in Henry Moore. The Graphic Work. 1976-1979. Patrick Cramer. 1980 - T H Saunders paper - Image size: 21.6 x 14.6 cm. - Paper size: 48.9 x 42.6 cm.
Seated Figure IV - Reverse Lighting by Henry Moore is a lithograph created in 1974, part of the portfolio Seated Figures. This piece is noted for its exploration of light and shadow, featuring a solitary figure illuminated from the back, casting the rest of the scene in dark contrast. Moore’s use of cross-hatching and strong lines accentuates the texture and volume of the seated figure, giving a sense of depth and introspection. The ethereal glow that surrounds the figure creates a haunting and contemplative atmosphere, suggesting themes of solitude and reflection. The lithograph measures 21.6 x 14.6 cm for the image itself and is printed on T H Saunders paper with an overall paper size of 48.9 x 42.6 cm. This work is part of a limited edition of 50, with an additional X artist proofs (AP). It is catalogued as number 410 in Henry Moore. The Graphic Work. 1976-1979 by Patrick Cramer, published in 1980.
Henry Moore (UK, 1898–1986) was a renowned sculptor celebrated for his monumental, abstract forms inspired by the human body and nature. Often using materials like bronze and stone, his works explore themes of vitality, shelter, and landscape. Moore’s sculptures have become iconic, shaping modern art and public spaces worldwide.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
One of the 6 lithographs from the porfolio of Seated Figures - Catalogue number 410 in Henry Moore. The Graphic Work. 1976-1979. Patrick Cramer. 1980 - T H Saunders paper - Image size: 21.6 x 14.6 cm. - Paper size: 48.9 x 42.6 cm.
Seated Figure IV - Reverse Lighting by Henry Moore is a lithograph created in 1974, part of the portfolio Seated Figures. This piece is noted for its exploration of light and shadow, featuring a solitary figure illuminated from the back, casting the rest of the scene in dark contrast. Moore’s use of cross-hatching and strong lines accentuates the texture and volume of the seated figure, giving a sense of depth and introspection. The ethereal glow that surrounds the figure creates a haunting and contemplative atmosphere, suggesting themes of solitude and reflection. The lithograph measures 21.6 x 14.6 cm for the image itself and is printed on T H Saunders paper with an overall paper size of 48.9 x 42.6 cm. This work is part of a limited edition of 50, with an additional X artist proofs (AP). It is catalogued as number 410 in Henry Moore. The Graphic Work. 1976-1979 by Patrick Cramer, published in 1980.
Henry Moore (UK, 1898–1986) was a renowned sculptor celebrated for his monumental, abstract forms inspired by the human body and nature. Often using materials like bronze and stone, his works explore themes of vitality, shelter, and landscape. Moore’s sculptures have become iconic, shaping modern art and public spaces worldwide.
Art is the expression of imagination, not the reproduction of reality.
- Henry Moore
Henry Moore's works reflected his ideas that sculptures were not only shapes, but sculptures brought out the poetry and music that existed in the artist's mind. He used abstract forms to draw analogies (as a poet would) between the human body and items in nature. The majority of his works were reclining figures and motifs of mother and child that reinforced the idea that humanity can rebound. The evolution of his artistic style is quite evident.
He was influenced by Picasso, Giacometti, Arp, and Brancusi. Non-Western art shaped his early works that focused on frontal character. Also, Moore's methods of sculpting changed. His early works were formed by modeling (using clay or plaster) and casting in bronze.
European Modernism changed his approach to the direct carving of wood and stone. Henry Moore had his most productive and experimental decade in the 1930s. His works began to show a psychological dimension due to the influences of Constructivism and Surrealism. This led to the sculpting of three dimensional biomorphic forms followed by the introduction of 'holes' into his sculptures. The object appeared to grow out of an absent center. He often used objects in nature such as rocks, seashells and bones for ideas. His combined use of nature and the human body presented humanity as a natural force that changes. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.