Etching and drypoint on Barcham Crisbrook paper with Moore watermark.
Signed and numbered in pencil.
Printed by Michael Rand, London.
Published by Raymond Spencer Company, LTD for the Henry Moore Foundation, Much Hadham.
Catalog raisonné, Cramer 519
Henry Moore’s Seated Nude (1979) is an etching and drypoint that reflects his lifelong exploration of the human figure through simplified, organic line. A softly outlined female form sits in a relaxed yet slightly tilted pose, rendered with delicate, economical marks that emphasize contour over detail. The spacious composition, with the figure placed within a faint rectangular boundary, enhances a sense of quiet introspection. Printed in an edition of 50 plus 15 artist’s proofs, the work demonstrates Moore’s ability to convey volume and presence through minimal means, bridging drawing and sculpture in its sensitivity to form.
Henry Moore (UK, 1898–1986) was a renowned sculptor celebrated for his monumental, abstract forms inspired by the human body and nature. Often using materials like bronze and stone, his works explore themes of vitality, shelter, and landscape. Moore’s sculptures have become iconic, shaping modern art and public spaces worldwide.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Etching and drypoint on Barcham Crisbrook paper with Moore watermark.
Signed and numbered in pencil.
Printed by Michael Rand, London.
Published by Raymond Spencer Company, LTD for the Henry Moore Foundation, Much Hadham.
Catalog raisonné, Cramer 519
Henry Moore’s Seated Nude (1979) is an etching and drypoint that reflects his lifelong exploration of the human figure through simplified, organic line. A softly outlined female form sits in a relaxed yet slightly tilted pose, rendered with delicate, economical marks that emphasize contour over detail. The spacious composition, with the figure placed within a faint rectangular boundary, enhances a sense of quiet introspection. Printed in an edition of 50 plus 15 artist’s proofs, the work demonstrates Moore’s ability to convey volume and presence through minimal means, bridging drawing and sculpture in its sensitivity to form.
Henry Moore (UK, 1898–1986) was a renowned sculptor celebrated for his monumental, abstract forms inspired by the human body and nature. Often using materials like bronze and stone, his works explore themes of vitality, shelter, and landscape. Moore’s sculptures have become iconic, shaping modern art and public spaces worldwide.
Art is the expression of imagination, not the reproduction of reality.
- Henry Moore
Henry Moore's works reflected his ideas that sculptures were not only shapes, but sculptures brought out the poetry and music that existed in the artist's mind. He used abstract forms to draw analogies (as a poet would) between the human body and items in nature. The majority of his works were reclining figures and motifs of mother and child that reinforced the idea that humanity can rebound. The evolution of his artistic style is quite evident.
He was influenced by Picasso, Giacometti, Arp, and Brancusi. Non-Western art shaped his early works that focused on frontal character. Also, Moore's methods of sculpting changed. His early works were formed by modeling (using clay or plaster) and casting in bronze.
European Modernism changed his approach to the direct carving of wood and stone. Henry Moore had his most productive and experimental decade in the 1930s. His works began to show a psychological dimension due to the influences of Constructivism and Surrealism. This led to the sculpting of three dimensional biomorphic forms followed by the introduction of 'holes' into his sculptures. The object appeared to grow out of an absent center. He often used objects in nature such as rocks, seashells and bones for ideas. His combined use of nature and the human body presented humanity as a natural force that changes. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.