Softground etching with hand colouring on John Kollar hand-made paper, same size - Printed and hand-coloured by Ken Farley at Petersburg Press Studio, New York and published by Petersburg Press, New York in an edition of 50
Cardo's Bar (Red) by Howard Hodgkin is a limited edition print created with softground etching and hand-coloring on handmade paper. The artwork, produced in 1979, captures Hodgkin's expressive use of bold color and abstract form, a hallmark of his style. Dominated by warm, earthy reds with touches of green and brown, the piece suggests a rich, layered composition reminiscent of memories and fleeting emotions associated with a space. Printed and hand-colored by Ken Farley at Petersburg Press Studio in New York, this work embodies Hodgkin's exploration of abstraction as a vehicle for personal and emotional expression.
Howard Hodgkin (United Kingdom, 1932–2017) was a British painter and printmaker renowned for his vibrant, abstract works that evoke emotional intensity. His distinctive style, characterized by bold brushstrokes and rich color palettes, often blurred the lines between representation and abstraction. Hodgkin's contributions to contemporary art were recognized with the Turner Prize in 1985.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Softground etching with hand colouring on John Kollar hand-made paper, same size - Printed and hand-coloured by Ken Farley at Petersburg Press Studio, New York and published by Petersburg Press, New York in an edition of 50
Cardo's Bar (Red) by Howard Hodgkin is a limited edition print created with softground etching and hand-coloring on handmade paper. The artwork, produced in 1979, captures Hodgkin's expressive use of bold color and abstract form, a hallmark of his style. Dominated by warm, earthy reds with touches of green and brown, the piece suggests a rich, layered composition reminiscent of memories and fleeting emotions associated with a space. Printed and hand-colored by Ken Farley at Petersburg Press Studio in New York, this work embodies Hodgkin's exploration of abstraction as a vehicle for personal and emotional expression.
Howard Hodgkin (United Kingdom, 1932–2017) was a British painter and printmaker renowned for his vibrant, abstract works that evoke emotional intensity. His distinctive style, characterized by bold brushstrokes and rich color palettes, often blurred the lines between representation and abstraction. Hodgkin's contributions to contemporary art were recognized with the Turner Prize in 1985.
When I finish a painting, it usually looks as surprising to me as to anyone else.
- Howard Hodgkin
Often associated with abstraction, Howard Hodgkin was a highly acclaimed painter and printmaker known for his rich interplay between ground, colour and gesture. Hodgkin was heavily influenced by the works of such artists as Matisse and Picasso and his own works were almost always painted upon the backs of old picture frames – this, along with his use of vibrant colour and expressive brush marks, created an interesting relationship between the painted frame and its base; Rain and Indian Subject Blue are just two examples of this technique. Asides from painting, Hodgkin was an accomplished print-maker – his printing was often labour-intensive and intricate, as demonstrated in his Venetian Views series; this work consists of four different prints depicting Venice at four separate times of day – Venice, Afternoon is perhaps the most notable among this series as it is displayed across sixteen separate sheets and the rich colour used throughout gives the work a painterly effect. (Artist website)
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.