Screen print on Velin BFK Rives 270gsm
Edition of 40 - This light and minimalist work is part of a series of four screen prints based on the collage series “Messerschitte” that the artist worked on from end of the 70s, until the early 90s.
Ohne Titel (4) by Imi Knoebel, created in 1995, is a minimalist screen print that embodies the artist’s signature abstract style. Set on a stark white background, the composition features an assortment of irregular, geometric shapes in shades of black, blue, red, yellow, and gray. The seemingly random placement of shapes creates a sense of dynamic movement and openness, inviting the viewer to interpret the spaces and interactions between colors. This work is part of a series inspired by Knoebel’s “Messerschitte” collages from the late 1970s to early 1990s, in which he explored purity of form and color. The simplicity and restraint in this piece reflect Knoebel’s commitment to minimalism, focusing on the relationship between form, color, and the surrounding white space.
Imi Knoebel (Germany, 1940) is a prominent abstract artist associated with minimalism and constructivism. Known for his bold use of color and geometric forms, his works span painting, sculpture, and installation. Influenced by the Bauhaus and his studies with Joseph Beuys, Knoebel's art explores light, space, and materiality.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Screen print on Velin BFK Rives 270gsm
Edition of 40 - This light and minimalist work is part of a series of four screen prints based on the collage series “Messerschitte” that the artist worked on from end of the 70s, until the early 90s.
Ohne Titel (4) by Imi Knoebel, created in 1995, is a minimalist screen print that embodies the artist’s signature abstract style. Set on a stark white background, the composition features an assortment of irregular, geometric shapes in shades of black, blue, red, yellow, and gray. The seemingly random placement of shapes creates a sense of dynamic movement and openness, inviting the viewer to interpret the spaces and interactions between colors. This work is part of a series inspired by Knoebel’s “Messerschitte” collages from the late 1970s to early 1990s, in which he explored purity of form and color. The simplicity and restraint in this piece reflect Knoebel’s commitment to minimalism, focusing on the relationship between form, color, and the surrounding white space.
Imi Knoebel (Germany, 1940) is a prominent abstract artist associated with minimalism and constructivism. Known for his bold use of color and geometric forms, his works span painting, sculpture, and installation. Influenced by the Bauhaus and his studies with Joseph Beuys, Knoebel's art explores light, space, and materiality.
If you want to stay alive, you have to do something radical.
- Imi Knoebel
Imi Knoebel (b. 1940 Germany) is a German contemporary artist known for his contributions to minimalism and abstract art. Knoebel's work is characterized by its exploration of color, form, and space, often through the use of simple geometric shapes and a restricted color palette. A student of Joseph Beuys at the Kunstakademie Düsseldorf, Knoebel was initially influenced by Constructivism and the Bauhaus, leading him to develop a visual language that emphasizes purity of form and the interaction of shapes within a given space. His work often includes large-scale installations, paintings, and sculptures that challenge the boundaries between painting and sculpture. Knoebel is particularly known for his vibrant use of color in later works, where he expanded his palette to include bright, dynamic hues. His contributions to contemporary art have been widely recognized, with his work exhibited in major museums and galleries around the world, cementing his status as a significant figure in post-war European art.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.