Painted wood sculpture; From the very rare limited edition Suite of Circus; Signed and numbered in the base
Jumping Dog II by Karel Appel, created in 1978, is a vibrant painted wood sculpture featuring a playful, stylized dog leaping through a colorful hoop. Part of the limited edition Suite of Circus, this piece embodies Appel’s signature blend of expressionism and childlike imagination, with bold colors and exaggerated forms. The dog, rendered in red with expressive blue eyes, appears mid-leap, capturing a dynamic sense of movement and joy. The surrounding hoop, decorated with blocks of purple, teal, and white, adds a whimsical framing element, enhancing the sculpture’s lively and joyful energy. This piece exemplifies Appel's exploration of innocence and spontaneity in art.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
ObjectAn object in art refers to any tangible thing that exists and can be depicted in a work of art. Sometimes, the object becomes the focal point of a painting, drawing, or sculpture, meaning it is the most important element in the composition. An object can be anything that can be seen or touched, and it is often used to convey meaning or emphasize certain aspects of the artwork.
Painted wood sculpture; From the very rare limited edition Suite of Circus; Signed and numbered in the base
Jumping Dog II by Karel Appel, created in 1978, is a vibrant painted wood sculpture featuring a playful, stylized dog leaping through a colorful hoop. Part of the limited edition Suite of Circus, this piece embodies Appel’s signature blend of expressionism and childlike imagination, with bold colors and exaggerated forms. The dog, rendered in red with expressive blue eyes, appears mid-leap, capturing a dynamic sense of movement and joy. The surrounding hoop, decorated with blocks of purple, teal, and white, adds a whimsical framing element, enhancing the sculpture’s lively and joyful energy. This piece exemplifies Appel's exploration of innocence and spontaneity in art.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
Karel Appel studied at the Royal Academy of Fine Arts in Amsterdam. His first solo exhibition took place in 1946 in Groningen. In the years following the end of World War Two he developed his own unique style of art, using found objects and pieces of timber in assemblages and other artworks. His earliest themes were associated with imagery of childhood, often featuring grotesque humans, monsters and animal forms. He was one of the founders of the Dutch Experimental Group in 1948, along with Guillaume Corneille and Constant Nieuwenhuys. All three artists left Amsterdam and moved to Paris, where they joined with Belgian and Danish artists to form the Cobra international art group.
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.