Original mixed media print in colors with embossing on Arches paper
- Published by Editions Canada
- Suite: Bedized Pudding Canadian
- Hand signed by Appel in pencil
Karel Appel's Lying in Red (1979) is a vivid mixed media print that exemplifies his bold and emotive style. This limited edition work, measuring 30.6 x 22 inches, features the artist's signature use of vibrant colors and embossing on Arches paper. The composition presents an abstract figure, with elongated white and black eyes set against a face made of swirling shades of purple, green, orange, and red. The background incorporates tropical motifs, such as palm leaves, adding an unexpected dimension to the piece. Appel’s expressive and spontaneous brushstrokes create a sense of movement and energy, encapsulating his approach of channeling raw emotion through abstraction. Part of the Bedized Pudding Canadian suite and published by Editions Canada, the print is hand-signed by Appel, showcasing his mastery in transforming forms into dynamic visual narratives.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Original mixed media print in colors with embossing on Arches paper
- Published by Editions Canada
- Suite: Bedized Pudding Canadian
- Hand signed by Appel in pencil
Karel Appel's Lying in Red (1979) is a vivid mixed media print that exemplifies his bold and emotive style. This limited edition work, measuring 30.6 x 22 inches, features the artist's signature use of vibrant colors and embossing on Arches paper. The composition presents an abstract figure, with elongated white and black eyes set against a face made of swirling shades of purple, green, orange, and red. The background incorporates tropical motifs, such as palm leaves, adding an unexpected dimension to the piece. Appel’s expressive and spontaneous brushstrokes create a sense of movement and energy, encapsulating his approach of channeling raw emotion through abstraction. Part of the Bedized Pudding Canadian suite and published by Editions Canada, the print is hand-signed by Appel, showcasing his mastery in transforming forms into dynamic visual narratives.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
Karel Appel studied at the Royal Academy of Fine Arts in Amsterdam. His first solo exhibition took place in 1946 in Groningen. In the years following the end of World War Two he developed his own unique style of art, using found objects and pieces of timber in assemblages and other artworks. His earliest themes were associated with imagery of childhood, often featuring grotesque humans, monsters and animal forms. He was one of the founders of the Dutch Experimental Group in 1948, along with Guillaume Corneille and Constant Nieuwenhuys. All three artists left Amsterdam and moved to Paris, where they joined with Belgian and Danish artists to form the Cobra international art group.
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.