Liliana Porter's La copia II (2021) is a limited edition collage that combines etching with a minimalist and playful aesthetic. The composition features a solitary small figure standing on the left, seemingly pulling or interacting with a series of looping black lines that swirl and meander across the paper. These abstract forms create a sense of movement, giving the impression of a narrative unfolding in a simple, yet profound way. The use of negative space emphasizes the figure’s isolation and the whimsical nature of the act. Printed on Super Alfa paper, this limited edition of 20 showcases Porter's ability to merge storytelling and minimalism effectively.
Liliana Porter (Argentina, 1941) is a conceptual artist renowned for her multimedia works blending photography, video, and installation. Her art often juxtaposes miniature figurines with vast empty spaces, exploring themes of time, memory, and human fragility. Based in the United States, Porter’s thought-provoking pieces are exhibited globally.
CollageCollage is a production art technique commonly used in visual arts where a new artwork is created by assembling various materials. These materials can include ribbons, newspaper and magazine clippings, pieces of handmade or colored paper, photographs, text fragments, and other objects, all combined to form a cohesive whole.
Liliana Porter's La copia II (2021) is a limited edition collage that combines etching with a minimalist and playful aesthetic. The composition features a solitary small figure standing on the left, seemingly pulling or interacting with a series of looping black lines that swirl and meander across the paper. These abstract forms create a sense of movement, giving the impression of a narrative unfolding in a simple, yet profound way. The use of negative space emphasizes the figure’s isolation and the whimsical nature of the act. Printed on Super Alfa paper, this limited edition of 20 showcases Porter's ability to merge storytelling and minimalism effectively.
Liliana Porter (Argentina, 1941) is a conceptual artist renowned for her multimedia works blending photography, video, and installation. Her art often juxtaposes miniature figurines with vast empty spaces, exploring themes of time, memory, and human fragility. Based in the United States, Porter’s thought-provoking pieces are exhibited globally.
My work is … like watching a movie with the lights on.
- Liliana Porter
Liliana Porter is an Argentinian-born Contemporary artist who works in various forms of media. She is known for her work invideo, installation art, printmaking, photography, and mixed media. Her inspirations include the Arte Povera group, the Guerrilla Girls, and Roy Lichtenstein among many others. Liliana Porter studied at the Universidad Ibero americana, which is located in Mexico City, Mexico, followed by training at the Escuela Nacional de Bellas Artes, which is located in the artist's homeland of Argentina. The educator co-founded the New York Graphic Workshop following her move to NYC (1964). Moreover, the multimedia artist was also a co-founder and teacher at Studio Camnitzer (1974),which is a studio that caters to artists in all forms of media. Studio Camnitzer is located in Italy. In addition to her work across various mediums, Liliana Porter has established a long and distinguished career in the Education field and teaching. Some of her educational endeavors include the Printmaking Workshop, SUNY Purchase, the State University of New York at Old Westbury, the Porter-Wiener Studio, and Queens College, City University of New York, where the educator was a professor for 16 years (1991-2007). Liliana Porter has won several prestigious accolades over the course of her career. Some of these accomplishments include the Guggenheim and 3-time winner of The New York Foundation for the Arts Fellowships. These awards were garnered in 1980, 1985, 1996, and 1999, respectively. The multimedia artist-educator has showcased her work internationally and throughout the U.S. She currently works and resides in New York. (Artist website)
Kitsch is a term used to describe cheap, commercial, sentimental, or vulgar art and objects commonly associated with popular culture. The word is borrowed from German, where it originally means trash. Since the 1920s, kitsch has been used to denote the opposite of high art, often implying that the work lacks sophistication or artistic merit.