SBST 2838 by Ludwig Wilding is a three-dimensional object created in 2000, reflecting his expertise in optical art. This work features a complex, repetitive pattern of black and white lines that create an illusion of depth and movement. The composition, comprised of swirling, circular shapes that appear to pulse and shift, engages the viewer’s eye, producing a dynamic, almost vibrating effect. Wilding, known for his kinetic and optical illusions, challenges visual perception, making his pieces interactive as they shift depending on the viewer’s angle. The precision of this construction, part of a limited edition of 100, highlights Wilding's fascination with the boundaries of visual perception and reality, making it a captivating piece in the realm of optical art.
Alison Wilding (UK, 1948) is a contemporary sculptor known for her innovative use of materials and forms. Combining wood, metal, resin, and other elements, her works explore contrasts like light and shadow or fluidity and solidity. Wilding’s abstract sculptures often evoke a sense of mystery and poetic tension.
ObjectAn object in art refers to any tangible thing that exists and can be depicted in a work of art. Sometimes, the object becomes the focal point of a painting, drawing, or sculpture, meaning it is the most important element in the composition. An object can be anything that can be seen or touched, and it is often used to convey meaning or emphasize certain aspects of the artwork.
Size
Inches
Centimeters
28 X 28 X 6 cm
Edition
Edition of 100
Price
USD
EUR
GBP
CHF
1,500EUR
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+ VAT/import Duties (if applicable)
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3d construction
SBST 2838 by Ludwig Wilding is a three-dimensional object created in 2000, reflecting his expertise in optical art. This work features a complex, repetitive pattern of black and white lines that create an illusion of depth and movement. The composition, comprised of swirling, circular shapes that appear to pulse and shift, engages the viewer’s eye, producing a dynamic, almost vibrating effect. Wilding, known for his kinetic and optical illusions, challenges visual perception, making his pieces interactive as they shift depending on the viewer’s angle. The precision of this construction, part of a limited edition of 100, highlights Wilding's fascination with the boundaries of visual perception and reality, making it a captivating piece in the realm of optical art.
Alison Wilding (UK, 1948) is a contemporary sculptor known for her innovative use of materials and forms. Combining wood, metal, resin, and other elements, her works explore contrasts like light and shadow or fluidity and solidity. Wilding’s abstract sculptures often evoke a sense of mystery and poetic tension.
Ludwig Wilding was a German Op and Kinetic artist. He created three dimensional structures with shifting patterns using black and white designs. His work aimed at disorienting the viewer using tricks of where the eye would focus.
Ludwig Wilding had always been interested in visual perception of space and creating illusions of depth in pictures. Ludwig Wilding's work was inspired by the Modernists and M.C. Escher and he is responsible for inventing the technology of using superimposition of interference which created three dimensional optical illusions. In the 1950's his "optical interference" identified and isolated the line using black and white as the primary structure in his work. By the 1960's Ludwig Wilding began to incorporate two and three dimensional images by constructing "interfering objects" where he then superimposed a network of lines to produce effects of optical vertigo. Ludwig Wilding's works question the interaction between the viewer's eye and brain. His patterns appear to shift and flicker as the viewer looks at them, confusing the eye. He often referred to his work as "irritating art" as he incorporated the limits of visual perception and viewers often have to rub their eyes as the patterns physically irritate them. Ludwig Wilding's works have appeared in museums across the globe including the United States and Germany.
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.