Massimo Bartolini’s Dust Chaser (2014) is a diptych of limited edition photoetchings that exudes subtlety and minimalism. Each panel in the diptych presents a nearly empty expanse, with faint, intricate markings centralized on each surface. These delicate markings create an ethereal effect, evoking the notion of transient, almost invisible traces—reminiscent of dust particles suspended in air or the fleeting nature of time itself. Bartolini’s approach emphasizes contemplation, encouraging viewers to engage deeply with the barely perceptible details and reflect on themes of impermanence and the unnoticed fragments of daily life. This work highlights Bartolini's nuanced exploration of space, presence, and absence within minimalist compositions.
Massimo Bartolini (Italy, 1962) is an acclaimed contemporary artist celebrated for his immersive installations that merge architecture, sound, and light. Works like Organi (2008) and An Outdoor Library (2012) reflect his poetic approach to spatial transformation. In 2024, he represented Italy at the 60th Venice Biennale.
Diptych of 2 photoetchingsEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Size
Inches
Centimeters
76 X 111.5 cm
Edition
Edition of 20
Price
USD
EUR
GBP
CHF
1,800EUR
?
+ VAT/import Duties (if applicable)
Authenticity Guaranteed
Insured Shipping
Online Since 2005
Share
●Inventory 2803
●Signed
●Comes with gallery invoice and certificate
●Any questions?
Diptych of 2 photoetchings
Massimo Bartolini’s Dust Chaser (2014) is a diptych of limited edition photoetchings that exudes subtlety and minimalism. Each panel in the diptych presents a nearly empty expanse, with faint, intricate markings centralized on each surface. These delicate markings create an ethereal effect, evoking the notion of transient, almost invisible traces—reminiscent of dust particles suspended in air or the fleeting nature of time itself. Bartolini’s approach emphasizes contemplation, encouraging viewers to engage deeply with the barely perceptible details and reflect on themes of impermanence and the unnoticed fragments of daily life. This work highlights Bartolini's nuanced exploration of space, presence, and absence within minimalist compositions.
Massimo Bartolini (Italy, 1962) is an acclaimed contemporary artist celebrated for his immersive installations that merge architecture, sound, and light. Works like Organi (2008) and An Outdoor Library (2012) reflect his poetic approach to spatial transformation. In 2024, he represented Italy at the 60th Venice Biennale.
In the studio is where I really think. But since I’m not a conceptual artist, I need to do something while I’m thinking.
- Massimo Bartolini
Massimo Bartolini is an Italian artist that works in a variety of mediums. From photography, to ink drawings to sculpture installations, Bartolini has perfected his technique for the past 30 years. Bartolini's adeptness at manipulating space, sound and light can be seen in most of his installation pieces. It appears that he often forgoes the traditional use of a room or other physical space to become more innovative with his art. Some of Massimo Bartolini's works that reflect this technique are: Due [Installation view at the 55th Biennale di Venezia], 2013 and 2 Weight Dews, 2012. A signature staple of Massimo Bartolini's work is the effect that it has on the viewer's bodily awareness. In this way, it allows the viewer to have an originative experience.
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.