Massimo Bartolini’s 287 hours (2014) is a limited edition diptych of two photoetchings, capturing a minimalist yet intricate aesthetic. Each print in the diptych contains a dense field of fine, abstract patterns confined within a rectangular frame at the center of an expansive, empty white space. The composition suggests intense concentration and meticulous labor, reflecting the title 287 hours, which may hint at the time invested in the creation. Bartolini’s work often examines space and perception, and here, the restrained presentation emphasizes the textured detail within the rectangular forms, inviting viewers to focus on subtle variations and the passage of time embedded within the patterns.
Massimo Bartolini (Italy, 1962) is an acclaimed contemporary artist celebrated for his immersive installations that merge architecture, sound, and light. Works like Organi (2008) and An Outdoor Library (2012) reflect his poetic approach to spatial transformation. In 2024, he represented Italy at the 60th Venice Biennale.
Diptych of 2 photoetchingsEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
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76.5 X 115.5 cm
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Edition of 20
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1,800EUR
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Diptych of 2 photoetchings
Massimo Bartolini’s 287 hours (2014) is a limited edition diptych of two photoetchings, capturing a minimalist yet intricate aesthetic. Each print in the diptych contains a dense field of fine, abstract patterns confined within a rectangular frame at the center of an expansive, empty white space. The composition suggests intense concentration and meticulous labor, reflecting the title 287 hours, which may hint at the time invested in the creation. Bartolini’s work often examines space and perception, and here, the restrained presentation emphasizes the textured detail within the rectangular forms, inviting viewers to focus on subtle variations and the passage of time embedded within the patterns.
Massimo Bartolini (Italy, 1962) is an acclaimed contemporary artist celebrated for his immersive installations that merge architecture, sound, and light. Works like Organi (2008) and An Outdoor Library (2012) reflect his poetic approach to spatial transformation. In 2024, he represented Italy at the 60th Venice Biennale.
In the studio is where I really think. But since I’m not a conceptual artist, I need to do something while I’m thinking.
- Massimo Bartolini
Massimo Bartolini is an Italian artist that works in a variety of mediums. From photography, to ink drawings to sculpture installations, Bartolini has perfected his technique for the past 30 years. Bartolini's adeptness at manipulating space, sound and light can be seen in most of his installation pieces. It appears that he often forgoes the traditional use of a room or other physical space to become more innovative with his art. Some of Massimo Bartolini's works that reflect this technique are: Due [Installation view at the 55th Biennale di Venezia], 2013 and 2 Weight Dews, 2012. A signature staple of Massimo Bartolini's work is the effect that it has on the viewer's bodily awareness. In this way, it allows the viewer to have an originative experience.
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.