Without Title 10 by Matt Connors, a 2019 hand-colored aquatint, presents a vibrant abstract composition dominated by rich purple and yellow hues with accents of red and blue. The artwork features vertical bands interspersed with geometric shapes and soft-edged forms, creating a sense of movement and depth within the compact square format. The interplay of colors and shapes evokes a dynamic balance between structure and spontaneity. Connors’ use of bold colors and layered textures reflects his interest in the physicality of paint and form, resulting in an abstract piece that encourages viewers to explore color interaction and compositional rhythm.
Matt Connors (USA, 1973) is a contemporary artist known for his abstract paintings that blend minimalism with vibrant color palettes. Drawing inspiration from poetry, design, and architecture, his work explores form and process. Connors has exhibited internationally, including at MoMA PS1 and the Whitney Biennial.
AquatintIntaglio is a printmaking technique where the artist creates marks on a metal plate that hold ink or dye. The inked plate is then pressed onto paper, transferring the ink to the sheet. This process can be repeated multiple times depending on the technique. Intaglio methods, such as etching, often involve applying a mordant (acid) to the metal plate to create the design. Intaglio encompasses various techniques, including engraving, etching, and drypoint.
Without Title 10 by Matt Connors, a 2019 hand-colored aquatint, presents a vibrant abstract composition dominated by rich purple and yellow hues with accents of red and blue. The artwork features vertical bands interspersed with geometric shapes and soft-edged forms, creating a sense of movement and depth within the compact square format. The interplay of colors and shapes evokes a dynamic balance between structure and spontaneity. Connors’ use of bold colors and layered textures reflects his interest in the physicality of paint and form, resulting in an abstract piece that encourages viewers to explore color interaction and compositional rhythm.
Matt Connors (USA, 1973) is a contemporary artist known for his abstract paintings that blend minimalism with vibrant color palettes. Drawing inspiration from poetry, design, and architecture, his work explores form and process. Connors has exhibited internationally, including at MoMA PS1 and the Whitney Biennial.
I’m a little bit allergic to the art world being so about knowing and didacticism and telling and teaching.
- Matt Connors
With influences from the worlds of interior design, literature and rock music, Matt Connors is a respected painter, whose work combines a minimalist sensibility with the procedures of abstraction. The modern critical perception of paintings, is that they are a support for a visual production. Connors rejects this approach. In his work, he has decided to reorganize colour as a performance platform. His focus is not on stylistic relevance or general conceptions about paintings as a medium. Connors has arrived at a synthesis between his influences mentioned above, and the formalism of his training. He graduated from Yale University School of Art where the aesthetic principles of Clement Greenberg were dominant. Connors art is based on the visual impact of fundamental blocks: rectangles, circles and lines, presented in their elementary context. His paintings keep the viewer's attention at a respectable distance, so that their truth can be grasped as a whole. Connors working methods incorporate wet paint techniques: he soaks the paint directly onto his canvasses, which occasionally leaves tiny spatters and dots on the surface to dry, and add texture to the piece. His works are identifiable for their unity of motion and execution and are a part of collections at the MOMA in New York. (Artist website)
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.