// The Catalan Suite I - Corkscrew by Michael Craig-Martin, an etching from 2013, exemplifies the artist’s minimalist and conceptual approach to everyday objects. Measuring 45 x 45 cm, this print depicts a simple, isolated corkscrew on a stark black background. The handle is rendered in a neutral gray, while the spiraled screw stands out in a vibrant red, adding a playful contrast and focusing attention on the object's form and functionality. Craig-Martin’s work often transforms mundane objects into art by emphasizing their design and simplicity, inviting viewers to reconsider the ordinary. This limited edition print embodies his signature style of reducing objects to their essential forms with a bold, graphic impact.
Michael Craig-Martin (Ireland/UK, 1941) is a conceptual artist celebrated for his brightly colored, minimalist depictions of everyday objects. Often associated with the YBA movement, his work explores the intersection of form, perception, and context. A pioneering teacher, he influenced a generation of British artists, including Damien Hirst and Sarah Lucas.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
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45 X 45 cm
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Edition of 20
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750EUR
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// The Catalan Suite I - Corkscrew by Michael Craig-Martin, an etching from 2013, exemplifies the artist’s minimalist and conceptual approach to everyday objects. Measuring 45 x 45 cm, this print depicts a simple, isolated corkscrew on a stark black background. The handle is rendered in a neutral gray, while the spiraled screw stands out in a vibrant red, adding a playful contrast and focusing attention on the object's form and functionality. Craig-Martin’s work often transforms mundane objects into art by emphasizing their design and simplicity, inviting viewers to reconsider the ordinary. This limited edition print embodies his signature style of reducing objects to their essential forms with a bold, graphic impact.
Michael Craig-Martin (Ireland/UK, 1941) is a conceptual artist celebrated for his brightly colored, minimalist depictions of everyday objects. Often associated with the YBA movement, his work explores the intersection of form, perception, and context. A pioneering teacher, he influenced a generation of British artists, including Damien Hirst and Sarah Lucas.
I am trying to present objects in the simplest way possible, and I don't want to supply too much context.
- Michael Craig-Martin
Michael Craig-Martin is an Irish artist who was born in Dublin. He received his formal arts education in universities in both Europe and the United States. Craig-Martin is a conceptual artist and his early works consisted of box-like constructions. His most famous conceptual piece, An Oak Tree, was considered quite controversial when it first appeared in 1973. Michael Craig-Martin has been employed as an artist since the mid 1960s and during this time he began to experiment with household objects in his artwork. As time progressed, he began to create line drawings, also utilizing his love of household objects. By the 1990s, Craig-Martin began to undertake painting as his primary medium. Michael Craig-Martin's works are shown worldwide and have garnered critical acclaim by art lovers. Craig-Martin is also credited as being an early influence for the Young British Artists, a group of young visual artists in London. Many members of this group were former pupils of Craig-Martin. (Artist website)
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.