Mounted on canvas. Eau-forte in colour on Taiwanese rice paper.
Published on a full page in the book: "alechinsky, travaux d'impression"
Pierre Alechinsky’s Vol Augural (1990) is a large-scale etching that exemplifies his dynamic fusion of abstraction, calligraphy, and expressive color. The composition is dominated by intricate black ink lines that form a swirling, textured upper section, punctuated by splashes of blue. In contrast, the lower half presents two striking red forms, suggestive of birds or symbols of movement, set against a background of structured, yellow and green geometric shapes. The border, composed of irregular golden lines, frames the composition with an almost manuscript-like quality. Printed on Taiwanese rice paper and mounted on canvas, this piece belongs to an edition of 99, plus artist and hors commerce proofs. Alechinsky’s work, deeply rooted in the Cobra movement, reflects an energetic and freeform approach to printmaking, bridging spontaneous gesture with a sophisticated sense of structure.
Pierre Alechinsky (Belgium, 1927) is a prominent painter and printmaker associated with the CoBrA movement, known for his vibrant, expressive works blending abstraction and figurative elements. Inspired by calligraphy and traditional printmaking techniques, Alechinsky's dynamic compositions often explore humor, spontaneity, and the subconscious. His work is celebrated worldwide in major museum collections.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Mounted on canvas. Eau-forte in colour on Taiwanese rice paper.
Published on a full page in the book: "alechinsky, travaux d'impression"
Pierre Alechinsky’s Vol Augural (1990) is a large-scale etching that exemplifies his dynamic fusion of abstraction, calligraphy, and expressive color. The composition is dominated by intricate black ink lines that form a swirling, textured upper section, punctuated by splashes of blue. In contrast, the lower half presents two striking red forms, suggestive of birds or symbols of movement, set against a background of structured, yellow and green geometric shapes. The border, composed of irregular golden lines, frames the composition with an almost manuscript-like quality. Printed on Taiwanese rice paper and mounted on canvas, this piece belongs to an edition of 99, plus artist and hors commerce proofs. Alechinsky’s work, deeply rooted in the Cobra movement, reflects an energetic and freeform approach to printmaking, bridging spontaneous gesture with a sophisticated sense of structure.
Pierre Alechinsky (Belgium, 1927) is a prominent painter and printmaker associated with the CoBrA movement, known for his vibrant, expressive works blending abstraction and figurative elements. Inspired by calligraphy and traditional printmaking techniques, Alechinsky's dynamic compositions often explore humor, spontaneity, and the subconscious. His work is celebrated worldwide in major museum collections.
Everything that you paint may be used as evidence against you.
- Pierre Alechinsky
Pierre Alechinsky is associated with Abstract Expressionist, Lyrical Abstraction and the abstract style of art known as Tachisme. Using a range of media in his art, he is an engraver, graphic artist, painter and film maker. He learned engraving and gained other skills in Brussels and Paris. First he studied printmaking, illustration and photography at the National School of Decorative Arts in La Cambre. He became specialized in Etchings, Aquatint and watercolor on rice paper. He then continued his art education at Atelier 17 in Paris, where he was a student of the printmaker Stanley William Hayter. In 1949 the art group Cobra was formed. Its purpose was to break away accepted standards of western art and to make art more about the human condition. Pierre Alechinsky became a member after getting to know the other Cobra artists, and he showed his work in several Cobra exhibitions. In Paris Alechinsky worked as a correspondent for Bokubi, a Japanese journal on the use of ink in art. He went to Japan in 1955, where his work Night was exhibited, and while there he also made a film on Japanese calligraphy. By the end of the 1950s, some of Pierre Alechinsky’s works had been shown at the Venice Biennial and exhibited in London and Bern. In the 1960s his reputation grew internationally when his art went on show in New York, Pittsburgh and Amsterdam. In 1983 Alechinsky was appointed Professor of Painting at the National School of Fine Arts in Paris and was awarded an honorary doctorate from the Free University of Brussels in 1994.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.