Rauschenberg, Robert | Opal Gospel Panel III, 1971 — available on Composition Gallery

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Published by Racolin Inc.; Opal Gospel suite; Screen-print on Plexiglass sheet; Hand-etched signature; 1350 per slide (8 pieces left)

Opal Gospel Panel III by Robert Rauschenberg, created in 1971, is a screen print on Plexiglass that fuses visual art with poetic text. The artwork features a luminous, opalescent shape, predominantly in shades of red, orange, and blue, set against a gray, translucent background. The text surrounding the central form reads, A loon I thought it was, but it was my love’s splashing oar, adding a layer of lyrical mystery and romantic ambiguity. This piece is part of Rauschenberg's Opal Gospel suite, published by Racolin Inc., and bears the artist's hand-etched signature, highlighting the artist’s exploration of layered meanings through combined media.

Robert Rauschenberg (USA, 1925–2008) was a pioneering artist whose work bridged Abstract Expressionism and Pop Art. Renowned for his 'Combines,' which merged painting and sculpture, he explored diverse media including printmaking, photography, and performance art. A transformative figure, Rauschenberg won the Golden Lion at the 1964 Venice Biennale, cementing his influence on 20th-century art.

Robert Rauschenberg

Opal Gospel Panel III, 1971

Name: Opal Gospel Panel III, 1971
SKU: 8723
Price: 2400.00 USD
Availability: InStock

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Screen-print

Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.

Edition

Edition of 200

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Published by Racolin Inc.; Opal Gospel suite; Screen-print on Plexiglass sheet; Hand-etched signature; 1350 per slide (8 pieces left)

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USD 30,000 - 45,000

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People Have Enough Trouble Without Being Intimidated by an Artichoke, 1979

Limited Edition Print

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Tribute 21: Art, 1994

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USD 4,950

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Tibetan Keys (Rectangle), 1987

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Tibetan Keys (Double Bevel), 1987

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USD 16,500

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Tribute 21: Labor, 1994

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USD 6,750

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Tribute 21: Cinema, 1994

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USD 4,950

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Relic (Speculations), 1997

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USD 11,900

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USD 6,750

Robert Rauschenberg

Tibetan Keys (Bevel), 1987

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USD 14,250

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USD 12,950

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Tribute 21: Education, 1994

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USD 4,950

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Untitled (Doctor's of the world), 1997

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USD 6,750

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Rays, 1973

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USD 9,950

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Fence, 1992

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USD 9,250

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One More & We Will Be More Than Halfway There, 1979

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USD 4,350

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Studies for Chinese Summerhall, Painted Lamp, 1983

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EUR 15,500

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USD 10,800

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request info

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Local Color (Scenario Series), 2006

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Brake (Stoned Moon Series), 1969

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Happiness, 1994

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USD 3,700

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Untitled (Native American with Truck), 2000

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EUR 2,850

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International Very Special Arts Festival, 1989

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Caucus, 1997

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USD 2,350

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Best Buddies, 1992

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USD 3,060

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Opal Gospel Panel II, 1971

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USD 1,650

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Opal Gospel Panel V, 1971

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USD 8,500

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Tribute 21 (Environment), 1994

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Robert Rauschenberg

Opal Gospel Panel III, 1971

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USD 2,400

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Opal Gospel Panel I, 1971

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USD 1,850

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The artist's job is to be a witness to his time in history.
- Robert Rauschenberg

Renowned for his mixed-media works, Robert Rauschenberg was a painter and graphic artist whose works are often associated with the Neo-Dada movement; innovative with his technique and inspired by his fascination with what art truly encompasses, one of Rauschenberg’s most notable works is his Erased de Kooning Drawing that depicts exactly what the title suggests – the artist requested a drawing from De Kooning which he then erased over the course of two months, leaving only faint outlines of the original work. Rauschenberg’s ‘Combines’ came to define his career; using various mundane objects such as cardboard and even trash, combined with paint, the artist created his three-dimensional collage paintings of which he remarked ‘I think a picture is more like the real world when it is made out of the real world’ - such works as Rhyme and Bantam are among his most acclaimed Combines. (Artist website)

Artwork by Bruce Nauman

What is Process Art?

Process Art is an artistic movement and creative approach where the focus is on the act of creation rather than the final product. The term process in this context refers to the various stages of art-making, including gathering, sorting, associating, and organizing materials and actions. This movement emphasizes the artistic journey and the human expression involved in creating art, rather than the finished piece itself. Process Art is driven by inherent motivation, intentionality, and the rationale behind the actions, viewing the creative process as the true artwork.

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Robert Rauschenberg

Opal Gospel Panel III, 1971

53.3 x 58.4 x 17.8 cm

Robert Rauschenberg

Opal Gospel Panel III, 1971

Form

Medium

Size

Edition

Price

Artworks

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Biography

Bio

Support, 1973

Publicon Station IV, 1978

Bait (Stoned Moon Series), 1982

Water Stop, 1968

Arcanum VII, 1981

Cunningham Relief (from the Merce Cunningham portfolio), 1974-75

XI (from Horsefeathers Thirteen), 1972

In Transit (Goddess Depot), 2001

One More and We Will Be More Than Halfway There, from Suite of Nine Prints, 1979

More Distant Visible Part of the Sea, from Suite of Nine Prints, 1979

Two Reasons Birds Sing, from Suite of Nine Prints, 1979

Publicon Station I, 1978

People Have Enough Trouble Without Being Intimidated by an Artichoke, 1979

Private Listing

Pre-Morocco, 1983

Tribute 21: Art, 1994

Tibetan Keys (Rectangle), 1987

Tibetan Keys (Double Bevel), 1987

Tribute 21: Labor, 1994

Tribute 21: Cinema, 1994

Relic (Speculations), 1997

Site, 2000

Tibetan Keys (Bevel), 1987

Daydream (Speculations), 1997

Tribute 21: Education, 1994

Untitled (Doctor's of the world), 1997

Rays, 1973

Fence, 1992

One More & We Will Be More Than Halfway There, 1979

Page III, 1974

Studies for Chinese Summerhall, Painted Lamp, 1983

Landmark, 1968

Private Listing

Local Color (Scenario Series), 2006

Brake (Stoned Moon Series), 1969

Bait (Stoned Moon Series), 1970

Happiness, 1994

Untitled (Native American with Truck), 2000

International Very Special Arts Festival, 1989

Caucus, 1997

Best Buddies, 1992

Opal Gospel Panel II, 1971

Opal Gospel Panel V, 1971

Individual, 1982

Tribute 21 (Environment), 1994

Opal Gospel Panel III, 1971

Opal Gospel Panel I, 1971

One lioner, 2000

Opal Gospel, 1971

Horsefeathers Thirteen I, 1972

Plate from Photogravures Suite 1, 1983

Plate III, f(...), 1991

Plate II, fr(...), 1991

Plate I, fro(...), 1991

Three plates(...), 1991

Passport (fr(...), 1967

Arcanum III, 1981

Still from t(...), 1968

Murmurs, fro(...), 1991

Bradley (Ana(...), 1995

L'Autre Mond(...), 1989

Page IV, 1974

Intermission(...), 1996

Bellini #5, 1989

The Tramp, 1974

Restoration, 2004

Arcanum XI, 1981

Publicon Sta(...), 1978

Bulkhead Day(...), 1994