Rauschenberg, Robert | Page III, 1974 — available on Composition Gallery

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From the rare limited AP Edition outside the edition of 19 - Published by Gemini G.E.L. - Suite: Pages and Fuses - Original Handmade paper - Hand numbered with Inkstamp on the reverse and with the artist's signature blindstamp

Page III by Robert Rauschenberg, created in 1974, is part of a limited edition series published by Gemini G.E.L., titled Pages and Fuses. This artwork features a sheet of handmade paper with a central cutout, evoking a sense of absence and void. The organic texture of the paper contrasts with the sharp geometric precision of the square cutout, creating an interplay between materiality and space. Rauschenberg's use of handmade paper emphasizes tactility and invites contemplation of what is missing as much as what remains. This minimal yet thought-provoking composition reflects the artist's interest in the boundaries between presence and absence, and the interaction between structure and emptiness.

Robert Rauschenberg (USA, 1925–2008) was a pioneering artist whose work bridged Abstract Expressionism and Pop Art. Renowned for his 'Combines,' which merged painting and sculpture, he explored diverse media including printmaking, photography, and performance art. A transformative figure, Rauschenberg won the Golden Lion at the 1964 Venice Biennale, cementing his influence on 20th-century art.

Robert Rauschenberg

Page III, 1974

Name: Page III, 1974
SKU: 14141

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Mixed Media

Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.

Edition

Edition of 19 + APs

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●Inventory 14141

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USD 4,350

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Page III, 1974

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Studies for Chinese Summerhall, Painted Lamp, 1983

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EUR 2,850

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Best Buddies, 1992

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Opal Gospel Panel V, 1971

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Tribute 21 (Environment), 1994

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Opal Gospel Panel III, 1971

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Plate III, f(...), 1991

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Plate II, fr(...), 1991

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Three plates(...), 1991

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Murmurs, fro(...), 1991

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Bradley (Ana(...), 1995

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L'Autre Mond(...), 1989

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Page IV, 1974

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Intermission(...), 1996

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Bellini #5, 1989

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The Tramp, 1974

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Restoration, 2004

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Peace, 1994

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Earth Crust, 1969

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L.A. Uncover(...), 1998

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Noname (Elep(...), 1973-1974

Limited Edition Print

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Most Distant(...), 1983

Limited Edition Print

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The artist's job is to be a witness to his time in history.
- Robert Rauschenberg

Renowned for his mixed-media works, Robert Rauschenberg was a painter and graphic artist whose works are often associated with the Neo-Dada movement; innovative with his technique and inspired by his fascination with what art truly encompasses, one of Rauschenberg’s most notable works is his Erased de Kooning Drawing that depicts exactly what the title suggests – the artist requested a drawing from De Kooning which he then erased over the course of two months, leaving only faint outlines of the original work. Rauschenberg’s ‘Combines’ came to define his career; using various mundane objects such as cardboard and even trash, combined with paint, the artist created his three-dimensional collage paintings of which he remarked ‘I think a picture is more like the real world when it is made out of the real world’ - such works as Rhyme and Bantam are among his most acclaimed Combines. (Artist website)

Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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Robert Rauschenberg

Page III, 1974

47 x 47 cm

Robert Rauschenberg

Page III, 1974

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Edition

Price

Artworks

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Biography

Bio

Support, 1973

Publicon Station IV, 1978

Bait (Stoned Moon Series), 1982

Water Stop, 1968

Arcanum VII, 1981

Cunningham Relief (from the Merce Cunningham portfolio), 1974-75

XI (from Horsefeathers Thirteen), 1972

In Transit (Goddess Depot), 2001

One More and We Will Be More Than Halfway There, from Suite of Nine Prints, 1979

More Distant Visible Part of the Sea, from Suite of Nine Prints, 1979

Two Reasons Birds Sing, from Suite of Nine Prints, 1979

Publicon Station I, 1978

People Have Enough Trouble Without Being Intimidated by an Artichoke, 1979

Private Listing

Pre-Morocco, 1983

Tribute 21: Art, 1994

Tibetan Keys (Rectangle), 1987

Tibetan Keys (Double Bevel), 1987

Tribute 21: Labor, 1994

Tribute 21: Cinema, 1994

Relic (Speculations), 1997

Site, 2000

Tibetan Keys (Bevel), 1987

Daydream (Speculations), 1997

Tribute 21: Education, 1994

Untitled (Doctor's of the world), 1997

Rays, 1973

Fence, 1992

One More & We Will Be More Than Halfway There, 1979

Page III, 1974

Studies for Chinese Summerhall, Painted Lamp, 1983

Landmark, 1968

Private Listing

Local Color (Scenario Series), 2006

Brake (Stoned Moon Series), 1969

Bait (Stoned Moon Series), 1970

Happiness, 1994

Untitled (Native American with Truck), 2000

International Very Special Arts Festival, 1989

Caucus, 1997

Best Buddies, 1992

Opal Gospel Panel II, 1971

Opal Gospel Panel V, 1971

Individual, 1982

Tribute 21 (Environment), 1994

Opal Gospel Panel III, 1971

Opal Gospel Panel I, 1971

One lioner, 2000

Opal Gospel, 1971

Horsefeathers Thirteen I, 1972

Plate from Photogravures Suite 1, 1983

Plate III, f(...), 1991

Plate II, fr(...), 1991

Plate I, fro(...), 1991

Three plates(...), 1991

Passport (fr(...), 1967

Arcanum III, 1981

Still from t(...), 1968

Murmurs, fro(...), 1991

Bradley (Ana(...), 1995

L'Autre Mond(...), 1989

Page IV, 1974

Intermission(...), 1996

Bellini #5, 1989

The Tramp, 1974

Restoration, 2004

Arcanum XI, 1981

Publicon Sta(...), 1978

Bulkhead Day(...), 1994