// Brancacci - Petrus im Gefängnis by Thomas Lange, created in 1995, is an oil painting that explores themes of captivity and introspection through a minimalist, almost ethereal composition. The artwork uses soft, warm tones of orange, pink, and hints of green, creating a hazy, layered atmosphere. Outlines of figures and architectural elements are faintly visible, evoking a sense of obscured forms and distant memories. The title references Saint Peter’s imprisonment, a theme that brings depth to the painting’s abstracted forms, symbolizing confinement and spiritual resilience. Lange’s use of translucent colors and diffused shapes invites viewers to meditate on themes of isolation, faith, and the quiet endurance of the human spirit.
Thomas Lange (Germany, 1957) is a neo-expressionist painter known for merging abstraction and figuration. A key figure in the 'Neue Wilde' movement in 1980s West Berlin, his works are influenced by Italian Renaissance art and explore themes of struggle and mortality. Lange divides his time between Berlin and Italy.
Oil on canvasOil paint is a slow-drying type of paint made from pigment particles suspended in a drying oil, typically linseed oil. The viscosity of the paint can be adjusted by adding a solvent like turpentine, and varnish can be added to increase the glossiness of the dried paint film. Oil painting has been used since the 12th century in Europe, initially for decoration, but it was not widely adopted as a primary painting medium until the 15th century.
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240 X 240 cm
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Unique work
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15,000EUR
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// Brancacci - Petrus im Gefängnis by Thomas Lange, created in 1995, is an oil painting that explores themes of captivity and introspection through a minimalist, almost ethereal composition. The artwork uses soft, warm tones of orange, pink, and hints of green, creating a hazy, layered atmosphere. Outlines of figures and architectural elements are faintly visible, evoking a sense of obscured forms and distant memories. The title references Saint Peter’s imprisonment, a theme that brings depth to the painting’s abstracted forms, symbolizing confinement and spiritual resilience. Lange’s use of translucent colors and diffused shapes invites viewers to meditate on themes of isolation, faith, and the quiet endurance of the human spirit.
Thomas Lange (Germany, 1957) is a neo-expressionist painter known for merging abstraction and figuration. A key figure in the 'Neue Wilde' movement in 1980s West Berlin, his works are influenced by Italian Renaissance art and explore themes of struggle and mortality. Lange divides his time between Berlin and Italy.
Whoever does not forget the past looks to the future.
- Thomas Lange
Thomas Lange is a neo-expressionist painter whose works are “poised between abstraction and figuration”. Berlin-born Lange has been influenced by his youthful participation in the Neue Wilde (Young Wild) unconventional underground art movement in West Berlin during the late 1970s and early 1980s. His work typically avoids, however, strictly avant-garde limits or requirements, and reflects the Italian visual culture of artists such as Lippi, Masolino, and Masaccio. Lange often works concurrently with his own personal experiences, art history, and current events. His painting process includes research, investigating the meaning of images, and the physical and mental acts of painting. He has created family portraits to use as symbolic figures in idiosyncratic dreamscapes. He has used musical notation and instruments as subject matter in the cubism and vivid, clear colors of Music of Motivation (acrylic on linen canvas). Lange’s works range from large installations in mixed media filling expansive spaces. Lange lives and works in Berlin and Italy.
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.