Edition of edition 35 + V A.P. - Pile of lightproof-dyed wool (85%) and acrylic yarn (15%)
Thomas Lange’s Prometheus (1986) is a bold tapestry that reinterprets the Greek mythological figure with striking modernist aesthetics. Crafted from a blend of lightproof-dyed wool and acrylic yarn, the tapestry combines rich shades of red, yellow, and black, creating a vibrant and intense visual field. At the center lies a figure reminiscent of Prometheus, his body stretched across what appears to be an altar or table, his form outlined in stark contrast to the geometric background. Surrounding symbols and motifs, including hands, animals, and abstract shapes, suggest layers of narrative and symbolism, possibly referencing the torment and resilience associated with Prometheus. Lange’s use of color and form invites a dynamic, almost theatrical interpretation, bringing a timeless myth into a contemporary visual language.
Thomas Lange (Germany, 1957) is a neo-expressionist painter known for merging abstraction and figuration. A key figure in the 'Neue Wilde' movement in 1980s West Berlin, his works are influenced by Italian Renaissance art and explore themes of struggle and mortality. Lange divides his time between Berlin and Italy.
Tapestry Tapestry is a heavy, handwoven textile featuring intricate designs or images woven directly into the fabric. Created by skilled weavers using materials like wool, linen, cotton, silk, and sometimes silver and gold threads, tapestries have historically served as art pieces, decorations, insulation, and symbols of authority.
Edition of edition 35 + V A.P. - Pile of lightproof-dyed wool (85%) and acrylic yarn (15%)
Thomas Lange’s Prometheus (1986) is a bold tapestry that reinterprets the Greek mythological figure with striking modernist aesthetics. Crafted from a blend of lightproof-dyed wool and acrylic yarn, the tapestry combines rich shades of red, yellow, and black, creating a vibrant and intense visual field. At the center lies a figure reminiscent of Prometheus, his body stretched across what appears to be an altar or table, his form outlined in stark contrast to the geometric background. Surrounding symbols and motifs, including hands, animals, and abstract shapes, suggest layers of narrative and symbolism, possibly referencing the torment and resilience associated with Prometheus. Lange’s use of color and form invites a dynamic, almost theatrical interpretation, bringing a timeless myth into a contemporary visual language.
Thomas Lange (Germany, 1957) is a neo-expressionist painter known for merging abstraction and figuration. A key figure in the 'Neue Wilde' movement in 1980s West Berlin, his works are influenced by Italian Renaissance art and explore themes of struggle and mortality. Lange divides his time between Berlin and Italy.
Whoever does not forget the past looks to the future.
- Thomas Lange
Thomas Lange is a neo-expressionist painter whose works are “poised between abstraction and figuration”. Berlin-born Lange has been influenced by his youthful participation in the Neue Wilde (Young Wild) unconventional underground art movement in West Berlin during the late 1970s and early 1980s. His work typically avoids, however, strictly avant-garde limits or requirements, and reflects the Italian visual culture of artists such as Lippi, Masolino, and Masaccio. Lange often works concurrently with his own personal experiences, art history, and current events. His painting process includes research, investigating the meaning of images, and the physical and mental acts of painting. He has created family portraits to use as symbolic figures in idiosyncratic dreamscapes. He has used musical notation and instruments as subject matter in the cubism and vivid, clear colors of Music of Motivation (acrylic on linen canvas). Lange’s works range from large installations in mixed media filling expansive spaces. Lange lives and works in Berlin and Italy.
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.