Series of 50 pieces, all numbered
sold with a certificate of authenticity signed by Artist, delivered in a luxury box.
William Sweetlove’s Cloned Marmot with Gold (2018) is a porcelain sculpture, part of a limited edition of 50 pieces, each signed and accompanied by a certificate of authenticity. The sculpture portrays a marmot adorned with streaks of gleaming gold paint that flow down its white body, creating a striking contrast. This combination of natural form and luxurious metallic detailing suggests themes of preservation, cloning, and environmental intervention, characteristic of Sweetlove's work. The marmot’s distinct, almost surreal appearance invites reflection on humanity’s impact on nature and the artificiality imposed on living beings.
William Sweetlove (Belgium, 1949) is a contemporary sculptor and member of the Cracking Art Group. His vibrant, often oversized animal sculptures, crafted from recycled materials, address themes of environmental sustainability and climate change. Sweetlove's works have been exhibited internationally, emphasizing the impact of human activity on nature.
Porcelain Porcelain is a hard, durable material made from clay, primarily composed of the mineral kaolinite. It is fired at high temperatures, resulting in a fine, white, and often translucent finish. Porcelain is used to create art objects and a wide range of household items such as dishes and bowls. Porcelain items are especially popular for painting with special glazes due to their smooth surface and ability to hold intricate designs.
Series of 50 pieces, all numbered
sold with a certificate of authenticity signed by Artist, delivered in a luxury box.
William Sweetlove’s Cloned Marmot with Gold (2018) is a porcelain sculpture, part of a limited edition of 50 pieces, each signed and accompanied by a certificate of authenticity. The sculpture portrays a marmot adorned with streaks of gleaming gold paint that flow down its white body, creating a striking contrast. This combination of natural form and luxurious metallic detailing suggests themes of preservation, cloning, and environmental intervention, characteristic of Sweetlove's work. The marmot’s distinct, almost surreal appearance invites reflection on humanity’s impact on nature and the artificiality imposed on living beings.
William Sweetlove (Belgium, 1949) is a contemporary sculptor and member of the Cracking Art Group. His vibrant, often oversized animal sculptures, crafted from recycled materials, address themes of environmental sustainability and climate change. Sweetlove's works have been exhibited internationally, emphasizing the impact of human activity on nature.
Art is not a message, art is art, but if you have a message, why not?
- William Sweetlove
William Sweetlove (b. 1949 Belgium) is a Belgian contemporary artist known for his thought-provoking and humorous sculptures that often address themes of consumerism, environmental issues, and the human impact on nature. Sweetlove’s work is characterized by his use of vibrant colors, enlarged everyday objects, and a playful, surreal aesthetic. He is best known for his series of brightly colored animal sculptures, particularly dogs, penguins, and turtles, often depicted with water bottles, boots, or other accessories attached to them. These whimsical yet poignant sculptures are part of his collaboration with the Cracking Art Group, a collective that uses recycled plastic to create artworks with an ecological message. Sweetlove’s art serves as a commentary on the excesses of modern society and the urgent need for sustainability, while also engaging viewers with its accessible and humorous approach. His work has been exhibited internationally, and he is recognized as an important figure in contemporary ecological art, blending environmental activism with pop art sensibilities. (Artist website)
Kitsch is a term used to describe cheap, commercial, sentimental, or vulgar art and objects commonly associated with popular culture. The word is borrowed from German, where it originally means trash. Since the 1920s, kitsch has been used to denote the opposite of high art, often implying that the work lacks sophistication or artistic merit.