// Cloned Red Chicken on a Rock by William Sweetlove, created in 2005, is a resin sculpture that exemplifies Sweetlove’s playful and thought-provoking approach to environmental commentary. Cast in a vivid red hue, the sculpture features a stylized chicken standing proudly atop a rough, rock-like base. The monochromatic red color and glossy finish give the piece an artificial, almost cartoonish quality, emphasizing Sweetlove’s focus on cloning and the synthetic manipulation of natural forms. The piece serves as a humorous yet critical reflection on the themes of genetic modification and the human impact on animal life. With an edition size of only 10, this artwork captures Sweetlove’s unique ability to blend whimsy with social critique, prompting viewers to reconsider humanity’s relationship with nature.
William Sweetlove (Belgium, 1949) is a contemporary sculptor and member of the Cracking Art Group. His vibrant, often oversized animal sculptures, crafted from recycled materials, address themes of environmental sustainability and climate change. Sweetlove's works have been exhibited internationally, emphasizing the impact of human activity on nature.
mixed mediaResin can be derived from both natural sources, such as pine sap, and synthetic processes. Natural resin comes from tree sap, while synthetic resin is a type of dense, easily molded plastic. Resin is commonly used in sculpture, and it can also enhance the vibrancy of paint colors.
Size
Inches
Centimeters
60 X 50 cm
Edition
Edition of 10 + EA
Price
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CHF
2,500EUR
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+ VAT/import Duties (if applicable)
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// Cloned Red Chicken on a Rock by William Sweetlove, created in 2005, is a resin sculpture that exemplifies Sweetlove’s playful and thought-provoking approach to environmental commentary. Cast in a vivid red hue, the sculpture features a stylized chicken standing proudly atop a rough, rock-like base. The monochromatic red color and glossy finish give the piece an artificial, almost cartoonish quality, emphasizing Sweetlove’s focus on cloning and the synthetic manipulation of natural forms. The piece serves as a humorous yet critical reflection on the themes of genetic modification and the human impact on animal life. With an edition size of only 10, this artwork captures Sweetlove’s unique ability to blend whimsy with social critique, prompting viewers to reconsider humanity’s relationship with nature.
William Sweetlove (Belgium, 1949) is a contemporary sculptor and member of the Cracking Art Group. His vibrant, often oversized animal sculptures, crafted from recycled materials, address themes of environmental sustainability and climate change. Sweetlove's works have been exhibited internationally, emphasizing the impact of human activity on nature.
Art is not a message, art is art, but if you have a message, why not?
- William Sweetlove
William Sweetlove (b. 1949 Belgium) is a Belgian contemporary artist known for his thought-provoking and humorous sculptures that often address themes of consumerism, environmental issues, and the human impact on nature. Sweetlove’s work is characterized by his use of vibrant colors, enlarged everyday objects, and a playful, surreal aesthetic. He is best known for his series of brightly colored animal sculptures, particularly dogs, penguins, and turtles, often depicted with water bottles, boots, or other accessories attached to them. These whimsical yet poignant sculptures are part of his collaboration with the Cracking Art Group, a collective that uses recycled plastic to create artworks with an ecological message. Sweetlove’s art serves as a commentary on the excesses of modern society and the urgent need for sustainability, while also engaging viewers with its accessible and humorous approach. His work has been exhibited internationally, and he is recognized as an important figure in contemporary ecological art, blending environmental activism with pop art sensibilities. (Artist website)
Kitsch is a term used to describe cheap, commercial, sentimental, or vulgar art and objects commonly associated with popular culture. The word is borrowed from German, where it originally means trash. Since the 1920s, kitsch has been used to denote the opposite of high art, often implying that the work lacks sophistication or artistic merit.