Paper, screen print on plastic, signed by the artist.
Yaacov Agam’s Star of Hope (1975) is a vibrant agamograph, a kinetic art piece that shifts its appearance based on the viewer's perspective. The artwork features a stylized Star of David as its central motif, surrounded by dynamic vertical bands of color in shades of blue, red, and white. The interplay of geometric shapes and luminous colors creates a sense of movement and depth, reflecting Agam’s exploration of perception and transformation. Measuring 36.5 x 36 cm, this limited-edition print exemplifies Agam’s innovative approach to optical art, infusing the traditional symbol with a sense of hope and modern dynamism.
Yaacov Agam (Israel, 1928–2026) was a pioneering kinetic. and optical artist known for his vibrant, interactive works. Using dynamic patterns, shifting perspectives, and lenticular techniques, Agam invited viewers to engage with his art. His creations, including the iconic Agamograph, were exhibited worldwide, redefining the relationship between the observer and the artwork.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Paper, screen print on plastic, signed by the artist.
Yaacov Agam’s Star of Hope (1975) is a vibrant agamograph, a kinetic art piece that shifts its appearance based on the viewer's perspective. The artwork features a stylized Star of David as its central motif, surrounded by dynamic vertical bands of color in shades of blue, red, and white. The interplay of geometric shapes and luminous colors creates a sense of movement and depth, reflecting Agam’s exploration of perception and transformation. Measuring 36.5 x 36 cm, this limited-edition print exemplifies Agam’s innovative approach to optical art, infusing the traditional symbol with a sense of hope and modern dynamism.
Yaacov Agam (Israel, 1928–2026) was a pioneering kinetic. and optical artist known for his vibrant, interactive works. Using dynamic patterns, shifting perspectives, and lenticular techniques, Agam invited viewers to engage with his art. His creations, including the iconic Agamograph, were exhibited worldwide, redefining the relationship between the observer and the artwork.
My aim is to show the visible as possibility in a state of perpetual becoming.
- Yaacov Agam
Yaacov Agam was an Israeli-born sculptor and experimental artist who lived in Paris. He studied at the Bezalel Academy of Art and Design in Jerusalem before moving to Switzerland, where he attended the Kunstgewerbe Schule. Major influences during this period included his teacher Johannes Itten, as well as the painter and sculptor Max Bill.
Yaacov Agam had two major retrospectives of his work: at the Musée National d'Art Moderne in Paris in 1972 and at the Guggenheim Museum in New York in 1980. His large-scale works adorned public spaces in Paris and Tel Aviv, where his Fire and Water Fountain became the centerpiece of Dizengoff Square. His Hanukkah Menorah in New York played an active role in the city's annual Hanukkah lighting celebration.
Yaacov Agam's work was most often abstract and kinetic. He incorporated elements of light and sound into many of his works, inviting the viewer to become an active participant rather than a passive observer. His large-scale sculptures were constructed using traditional materials such as steel and concrete.
In his printmaking, he created the self-named "Agamograph," using lenticular printing to produce radically different visual perceptions from those of a conventional two-dimensional print. As a young artist in Paris, Yaacov Agam exhibited alongside Jesús Rafael Soto, Carlos Cruz-Díez, Pol Bury, Alexander Calder and Jean Tinguely.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.