
What is Lettrism?
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.
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Artworks Related to Lettrism
Tracey Emin
These Feelings Were True (Set of 8), 2020
Limited Edition Print
Lithograph
EUR 80,000 - 90,000

Massurrealism is a portmanteau word coined by American artist James Seehafer in 1992. He observed a trend among postmodern artists who blended themes and aesthetic styles with mass media, including elements of pop art. Massurrealism is a development of surrealism that emphasizes the technological effects on the imagery of contemporary surrealism. The key difference between massurrealism and surrealism is that the latter was founded in Europe at the beginning of the 20th century, while massurrealism is rooted in the influence of modern technology and media.

ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.

Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
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