Albers, Anni | Untitled 4 of 9 (from Connections), 1925/1983 — available on Composition Gallery

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From Connections 1925-1983 - 9 Color Screenprint on 150-gram Umbria paper - Signed, Dated and Numbered

Anni Albers’s Untitled 4 of 9 (from Connections), created between 1925 and 1983, is a vibrant screen-print that exemplifies her mastery of geometric abstraction. Measuring 27 x 20 cm, this work features an arrangement of bold red, blue, and yellow shapes set against a stark black background. The geometric forms seem to float and shift in space, creating a dynamic visual rhythm. Albers’s use of primary colors and precise shapes reflects her Bauhaus training, emphasizing clarity, balance, and the interaction between color and form. The composition invites the viewer to explore the relationships between the shapes as they create a sense of movement and structure.

Anni Albers (Germany/USA, 1899–1994) was a visionary textile artist and printmaker who revolutionized modern weaving. A key figure in the Bauhaus movement, she combined geometric abstraction with traditional techniques. Albers’ writings, like On Weaving, and her innovative approach to textiles elevated the medium to a fine art, influencing generations of artists.

Anni Albers

Untitled 4 of 9 (from Connections), 1925/1983

Name: Untitled 4 of 9 (from Connections), 1925/1983
SKU: 13429

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Lithograph

Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.

Edition

Edition of 125

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You can't predict what a work of art will be like; it is a discovery.
- Anni Albers

Anni (Annelise) Albers is regarded as being a significant influence on the renaissance of abstract weaving as a viable and impressive art-form. Her work mainly consisted of textiles and prints in bold colors with a focus on geometric patterns.

Using experimental materials, including metallic thread and horsehair yarn, Anni Albers was is considered the first artist to combine avant-garde geometric abstractions and weaving, an impressive feat for an artist who chose weaving due to it being one of the few accessible disciplines available to women in the early 20th century.

Interesting to note is the evolution of Albers’ work following her move from Berlin to the United States where she found inspiration from pre-Columbian textiles which she incorporated into her later works. Where she originally focused on using old, largely forgotten techniques to create functional and aesthetically pleasing weavings, her later career saw her focus more on creating prints and drawings, with her growing reputation allowing her the freedom to chose commissions she felt passionate about.

Artwork by Ellsworth Kelly

What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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Anni Albers

Untitled 4 of 9 (from Connections), 1925/1983

68.6 x 50.8 cm

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Anni Albers